As an illustration of conditions in the Solomons, Johnny’s business on board was to turn over, for a tobacco consideration, the sprit, mainsail, and jib of a whale-boat. Later in the day, a Chief Billy came on board and turned over, for a tobacco consideration, the mast and boom. This gear belonged to a whale-boat which Captain Jansen had recovered the previous trip of the Minota. The whale-boat belonged to Meringe Plantation on the island of Ysabel. Eleven contract labourers, Malaita men and bushmen at that, had decided to run away. Being bushmen, they knew nothing of salt water nor of the way of a boat in the sea. So they persuaded two natives of San Cristoval, salt-water men, to run away with them. It served the San Cristoval men right. They should have known better. When they had safely navigated the stolen boat to Malaita, they had their heads hacked off for their pains. It was this boat and gear that Captain Jansen had recovered. And away we went. The wind had increased, and with slacked sheets we ran off before it. The freeboard of the canoe was no more than two and a half inches, and the little waves continually lapped over the side. This required bailing. Now bailing is one of the principal functions of the vahine. Vahine is the Tahitian for woman, and Charmian being the only vahine aboard, the bailing fell appropriately to her. Tehei and I could not very well do it, the both of us being perched part way out on the outrigger and busied with keeping the canoe bottom-side down. So Charmian bailed, with a wooden scoop of primitive design, and so well did she do it that there were occasions when she could rest off almost half the time.!

“When shall we start?” Ho-o-u-mi is a small valley, separated from Typee by a low ridge, and thither we started when we had knocked our indomitable and insatiable riding-animals into submission. As it was, Warren’s mount, after a mile run, selected the most dangerous part of the trail for an exhibition that kept us all on the anxious seat for fully five minutes. We rode by the mouth of Typee valley and gazed down upon the beach from which Melville escaped. There was where the whale-boat lay on its oars close in to the surf; and there was where Karakoee, the taboo Kanaka, stood in the water and trafficked for the sailor’s life. There, surely, was where Melville gave Fayaway the parting embrace ere he dashed for the boat. And there was the point of land from which Mehevi and Mow-mow and their following swam off to intercept the boat, only to have their wrists gashed by sheath-knives when they laid hold of the gunwale, though it was reserved for Mow-mow to receive the boat-hook full in the throat from Melville’s hands.

A most important event occurred: Paul’s marriage. All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. As she was unable to communicate with people, she lived in a sort of somnambulistic torpor. The processions of Corpus-Christi Day seemed to wake her up. She visited the neighbours to beg for candlesticks and mats so as to adorn the temporary altars in the street.