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"You are placed in the most helpless situation a woman could find herself in: at sea, locked up in a cabin, and all the crew, who might otherwise have helped you, believing that you were running away with Mr Lawrence, and that your imprisonment and your representations and your madness were part of a programme preconcerted between[Pg 411] you and your lover. You realise the horrors and peril of your position, and by virtue of the mother's genius that came to your help, you decided upon a behaviour which you magnificently conducted. So much for the better part of you: but what remains? To be wooed—shall I say won?—it is necessary for your sweetheart to act the part of a scoundrel. He must steal my ship and kidnap my only child, and heap lie upon lie, and then, to be sure, he is a very pretty gentleman, a noble, gallant rogue, at root a man of a lordly soul, of a most chivalrous and fighting spirit to be made much of—in short, to fall desperately in love with.",

Lucy had now taken her seat at the piano,[Pg 74] and as the airs her aunt desired were well known to her, she played them from ear, whilst Miss Acton in her stiff-backed chair, kept time, with much facial demonstration of enjoyment, with her starched cap and hood.,

CHAPTER XII MR LAWRENCE REFLECTS,

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.

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"Say," he remarked, hesitatingly, "you got a great laugh, Billy.",

"I don't quite understand," said Captain Acton, gazing with friendly interest at the jolly, round, weather-dyed face of Sir William, whose looks certainly at this moment did not wear the jocund complexion they were used to carry.,

"Well, 'cause Bill hogs it, that's why," complained Anson. "Last time we had tarts I didn't get none. An' it's the same with pie an' cake.",

She turned her eyes upon him when the surly shell-back had come to this part of his thoughts, and frowned without recognition in her face as he read it. She stared at him, not with the heavy-lidded, beautiful eyes of Lucy Acton, but with orbs of sight whose glances seemed keen as rays of light as they shot from under her knitted brows. Though her fair forehead was deformed by a scowl, her lips were curved into a meaningless smile—the very expression of the idiot's highest facial effort, and all meaning or no meaning that was in her countenance was accentuated by the unusual, uncommon, very faint tinge which had taken the place of the habitual bloom of her cheeks and paled her into an aspect of distraction, wildness, and insanity.