“You know things when you love anybody,” explained the child. “You feel them. You will come again, soon?” It was earlier than the time she had fixed in her own mind and, pausing with her elbows resting on the granite parapet, she watched the ceaseless waters returning to the sea, bearing their burden of impurities.!

Suddenly, she sat up with a stifled cry. It seemed as if a flash of light had been turned upon her, almost blinding her. “Oh, yes, we shall have had enough of it,” agreed Flossie, “by the time we’ve paid up. There’s no doubt of that. What about our children? I’ve just left young Frank strutting all over the house and flourishing a paper knife. And the servants have had to bar the kitchen door to prevent his bursting in every five minutes and attacking them. What’s he going to say when I tell him, later on, that his father and myself have had all the war we want, and have decided there shall be no more? The old folks have had their fun. Why shouldn’t I have mine? That will be his argument.”

Mary peeped round the door. She had been lucky enough to find the doctor in. She disappeared again, and they talked about themselves. The girl was a Miss Ensor. She lived by herself in a room in Lawrence Street. “I wonder if you’re right,” mused Mrs. Phillips. “He does often say that he’d just as soon I didn’t talk about them.” It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.