“Don’t make me feel I’ve interfered with your work only to spoil it,” said Joan. “I think it is someone I know,” she said. “Won’t you help me?”!

But the sinner, confessing his fault, is entitled to forgiveness, and, having put him back into his proper place, she let him kiss her hand. She even went further and let him ask her out to dinner. As the result of her failure to reform Mrs. Phillips she was feeling dissatisfied with herself. It was an unpleasant sensation and somewhat new to her experience. An evening spent in Arthur’s company might do her good. The experiment proved successful. He really was quite a dear boy. Eyeing him thoughtfully through the smoke of her cigarette, it occurred to her how like he was to Guido’s painting of St. Sebastian; those soft, dreamy eyes and that beautiful, almost feminine, face! There always had been a suspicion of the saint about him even as a boy: nothing one could lay hold of: just that odd suggestion of a shadow intervening between him and the world. It was not until well on her way home that Joan, recalling the conversation, found herself smiling at Mary Stopperton’s literal acceptation of the argument. At the time, she remembered, the shadow of a fear had passed over her.

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. Besides, her pen was no longer able to absorb her attention, to keep her mind from wandering. The solitude of her desk gave her the feeling of a prison. Her body made perpetual claims upon her, as though it were some restless, fretful child, dragging her out into the streets without knowing where it wanted to go, discontented with everything it did: then hurrying her back to fling itself upon a chair, weary, but still dissatisfied. She had just the head mistress expression. Joan wasn’t quite sure she oughtn’t to stand. But, controlling the instinct, leant back in her chair, and tried to look defiant without feeling it.