"I think I can understand well enough when I know what's to be understood," the young man asserted. "But I hope you won't mind my saying that you've kept me pretty well in the dark about that. I've been waiting, waiting, waiting; so much has depended on your news. If you've been working for me I'm afraid it has been a thankless job. Can't she say what she'll do, one way or the other? I can't tell in the least where I am, you know. I haven't really learnt from you, since I saw you there, where she is. You wrote me to be patient, and upon my soul I have been. But I'm afraid you don't quite realize what I'm to be patient with. At Waterbath, don't you know? I've simply to account and answer for the damned things. Mona looks at me and waits, and I, hang it, I look at you and do the same." Fleda had gathered fuller confidence as he continued; so plain was it that she had succeeded in not dropping into his mind the spark that might produce the glimmer invoked by his mother. But even this fine assurance gave a start when, after an appealing pause, he went on: "I hope, you know, that after all you're not keeping anything back from me." Fleda scarcely heard his words; something new had suddenly come into her mind. "When you went to Waterbath after seeing me," she asked, "did you tell her all about that?"!

"To move the furniture?" Sadly and submissively Fleda shook her head; the slow tears had come into her eyes. "I can't. I don't understand—I don't understand!" she broke out.

"Well," Fleda replied, "I couldn't stay. I didn't like it. I didn't like it at all—I couldn't bear it," she went on. "In the midst of those trophies of Poynton, living with them, touching them, using them, I felt as if I were backing her up. As I was not a bit of an accomplice, as I hate what she has done, I didn't want to be, even to the extent of the mere look of it—what is it you call such people?—an accessory after the fact." There was something she kept back so rigidly that the joy of uttering the rest was double. She felt the sharpest need of giving him all the other truth. There was a matter as to which she had deceived him, and there was a matter as to which she had deceived Mrs. Gereth, but her lack of pleasure in deception as such came home to her now. She busied herself with the tea and, to extend the occupation, cleared the table still more, spreading out the coarse cups and saucers and the vulgar little plates. She was aware that she produced more confusion than symmetry, but she was also aware that she was violently nervous. Owen tried to help her with something: this made rather for disorder. "My reason for not writing to you," she pursued, "was simply that I was hoping to hear more from Ricks. I've waited from day to day for that." The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture! "Of course I must," said Owen—"of course, of course." But he took no more advantage of the open door than to say: "You want me to be off, and I'm off in a minute. Only, before I go, please answer me a question. If you should leave my mother, where would you go?"