“That’s the pity of it,” he said. “You’re wasting the most important thing about you, your personality. You would do more good in a drawing-room, influencing the rulers, than you will ever do hiding behind a pen. It was the drawing-room that made the French Revolution.” They returned home by train. Joan insisted on travelling third class, and selected a compartment containing a stout woman and two children. Arthur had to be at the works. An important contract had got behindhand and they were working overtime. She and her father dined alone. He made her fulfil her promise to talk about herself, and she told him all she thought would interest him. She passed lightly over her acquaintanceship with Phillips. He would regard it as highly undesirable, she told herself, and it would trouble him. He was reading her articles in the Sunday Post, as also her Letters from Clorinda: and of the two preferred the latter as being less subversive of law and order. Also he did not like seeing her photograph each week, displayed across two columns with her name beneath in one inch type. He supposed he was old-fashioned. She was getting rather tired of it herself.!

“No, that’s precisely what he isn’t,” answered Joan. “You feel that he belongs to no class, but his own. The class of the Abraham Lincolns, and the Dantons.” Joan shot a glance. The girl was evidently serious.

“No,” he answered. “Not that sort of sleep.” She could not see his face. But she guessed his meaning. Joan seated herself on one of the chairs ranged round the walls, and drew the girl down beside her. Through the closed door, the mingled voices of the Foreign Secretary’s guests sounded curiously like the buzzing of flies. She sat motionless, staring at it. The problem, in some way, had simplified itself into a contest between herself, demanding time to think, and the little insistent clock, shouting to her to act upon blind impulse. If she could remain motionless for another five minutes, she would have won.