“But you’ll get out of that,” suggested Joan. “You’ve got the actress face.” They made a bed for him with their coats upon the floor, and some of them kept guard outside the shop, while one, putting aside the frightened, useless little chemist, waited upon her, bringing things needful, while she cleansed the foulness from his smooth young face, and washed the matted blood from his fair hair, and closed the lids upon his tender eyes, and, stooping, kissed the cold, quiet lips.!

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man.

“That shows how far it has gone,” she told him, “that you don’t even know it. You pretend to be a philosopher. But you’re really a man.” “I think she only means to be cheerful,” explained Mrs. Phillips. “She’s quite a good sort, when you know her.” The subject seemed in some way to trouble her, and Joan dropped it. She had just the head mistress expression. Joan wasn’t quite sure she oughtn’t to stand. But, controlling the instinct, leant back in her chair, and tried to look defiant without feeling it.