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"Here, miss,—in the dairy? Law, Miss Mona! don't",

"You were right," said the young man. "This is surely the person who has hidden the buffalo.",

Old Man said, "I have not thought of that. We must decide it. I will take this buffalo chip and throw it in the river. If it floats, people will become alive again four days after they have died; they will die for four days only. But if it sinks, there will be an end to them." He threw the chip into the river, and it floated.,

One night all the wolves went down to the pen to get meat, and when they had come close to it, the man-wolf said to his brothers, "Stop here for a little while and I will go down and fix the places so that you will not be caught." He went down to the pen and sprung all the snares, and then went back and called the wolves and the others—the coyotes, badgers, and kit-foxes—and they all went into the pen and feasted and took meat to carry home to their families. In the morning the people found the meat gone and all their snares sprung, and they were surprised and wondered how this could have happened. For many nights the nooses were pulled tight and the meat taken; but once when the wolves went there to eat they found only the meat of a lean and sickly bull. Then the man-wolf was angry, and he cried out like a wolf, "Bad-food-you-give-us-o-o-o! Bad-food-you-give-us-o-o-o-o!"

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"Why, indeed, unless you wished to possess yourself of something in the old room?",

"Did I not tell you," said her husband, "that those were not what they looked like. See now the trouble that you have brought upon us!" He put an arrow on his string and waited for them to come out, but they were cunning, and when the last animal, a big bull, was starting out the stick grasped him by the long hair under the neck and coiled up in it, and the dog held on by the hair underneath until they were far out on the prairie, when they changed into their true shapes and drove the buffalo toward the camp.,

"But why?—why? Is it because you love me? Oh, Mona! If it is that! At times I have thought so, and yet again I have feared you do not love me as—as I love you.",

Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it.