These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" Fleda had to declare that she certainly didn't, and that Waterbath had been a warning it would be frivolous to overlook. At the same time she privately reflected that they were taking a great deal for granted, and that, inasmuch as to her knowledge Owen Gereth had positively denied his betrothal, the ground of their speculations was by no means firm. It seemed to our young lady that in a difficult position Owen conducted himself with some natural art; treating this domesticated confidant of his mother's wrongs with a simple civility that almost troubled her conscience, so deeply she felt that she might have had for him the air of siding with that lady against him. She wondered if he would ever know how little really she did this, and that she was there, since Mrs. Gereth had insisted, not to betray, but essentially to confirm and protect. The fact that his mother disliked Mona Brigstock might have made him dislike the object of her preference, and it was detestable to Fleda to remember that she might have appeared to him to offer herself as an exemplary contrast. It was clear enough, however, that the happy youth had no more sense for a motive than a deaf man for a tune, a limitation by which, after all, she could gain as well as lose. He came and went very freely on the business with which London abundantly furnished him, but he found time more than once to say to her, "It's awfully nice of you to look after poor Mummy." As well as his quick speech, which shyness made obscure—it was usually as desperate as a "rush" at some violent game—his child's eyes in his man's face put it to her that, you know, this really meant a good deal for him and that he hoped she would stay on. With a person in the house who, like herself, was clever, poor Mummy was conveniently occupied; and Fleda found a beauty in the candor and even in the modesty which apparently kept him from suspecting that two such wiseheads could possibly be occupied with Owen Gereth.!

"She would if Owen had described your outbreak to Mona." Fleda had got up; she took a turn round the room. "You 'required' the very best pieces—the morceaux de musée, the individual gems!"

"Too exciting for poor Mummy. She won't hear of it. She has been slating her fearfully. She says she's a 'barbarian.'" "They'll read it first," said Mrs. Gereth. Fleda winced. "I've told you what I believe about that. She'll make scenes and conditions; she'll worry him. But she'll hold him fast; she'll never give him up."