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"You may try just as hard as ever you like," she says, with dignity: "I sha'n't!",

"Try, try to understand me," entreats she, desperately, following him and laying her hand upon his arm. "It is only this. It would not make you happy,—not afterwards, when you could see the difference between me and the other women you have known. You are a gentleman; I am only a farmer's niece." She says this bravely, though it is agony to her proud nature to have to confess it.,

"But surely there must be moments when——",

"No, indeed," says Mona, laughing. "But it surely wasn't English, was it? That is not the way everybody talks, surely."

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"I should have written to you about it sooner," he says at last, apologetically, hoping half his mother's resentment arises from a sense of his own negligence, "but I felt you would object, and so put it off from day to day.",

"If I should die," he said, "and you are near, do not desert me. Go to the place where I fell, and if my body should have been destroyed look carefully around the place. If you can find even a shred of my flesh or a bit of my bone, it will be well. So said my dream. Here are four arrows, which the dream told me to make. If you can find a bit of my body, flesh or bone, or even hair, cover it with a robe, and standing over it, shoot three arrows one after another up into the air, crying, as each one leaves the bow, 'Look out!' When you fit the fourth arrow on the bowstring and shoot it upward, cry, 'Look out, Red Robe, the arrow will strike you!' and as you say this, turn and run away from the place, not looking back as you go. If you do this, my friend, just as I have told you, I shall live again.",

The moments come and go. The fire is dying out. No sound but that of the falling cinders comes to disturb the stillness that reigns within the library. Mona is vaguely, wondering what the end of it all will be. And then at last the silence is broken. A noise upon the gravel outside, a quick rush up the balcony steps; some one emerges from the gloom of the night, and comes into the room through the open window. Mona utters a passionate cry of relief and joy. It is Geoffrey!,

"Is it?"—witheringly. Then, with some impatience, "You will be far happier in an arm-chair: do go into the parlor. There is really no reason why you should remain here."