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The furniture is composed of oak of the hardest and most severe. To sit down would be a labor of anything but love. The chairs are strictly Gothic. The table is a marvel in itself for ugliness and in utility.,

"But suppose she doesn't say a word about the drive?" says Mona, thoughtfully. "How will it be then?",

"Oh, no, not that," says Mona. "Poor Ireland! Every one either laughs at her or hates her. Though I like my adopted country, still I shall always feel for old Erin what I could never feel for another land.",

After that the little girl who was watching came into the lodge and said, "Pity me, man-eater, my mother is hungry and asks you for those bones." The old man gathered them together and handed them to her, and she took them out of the lodge. When she had gone a little way, she called all the dogs to her and threw down the bones to the dogs, crying out, "Look out, Kŭt-o-yĭs´, the dogs are eating you," and when she said that, Kŭt-o-yĭs´ arose from the pile of bones.

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Behind the house rises a thick wood,—a "solemn wood," such as Dickens loved to write of, with its lights and shades and every-varying tints. A gentle wind is rushing through it now; the faint murmur of some "hidden brook," singing its "quiet tune," fall upon the ear; some happy birds are warbling in the thickets. It is a day whose beauty may be felt.,

At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name.,

It is dreary waiting. No sleep comes to her eyes; she barely moves; the dogs slumber drowsily, and moan and start in their sleep, "fighting their battles o'er again," it may be, or anticipating future warfare. Slowly, ominously, the clock strikes twelve. Two hours have slipped into eternity; midnight is at hand!,

"Is she by herself? Is there nobody living with her?" asks Mona, somewhat nervously.