समटका

समटका Then I sprang to where Robbins, still on his hands and knees, was "All those came from Ashantee and the West Coast of Africa," said he, touching a vicious-looking axe. "This is a sacrificial axe; this murderous looking blade is the sword of the executioner of King Koffee; and this," here he laid his fingers lightly upon a slender stick of green wood, with a golden top set roughly with large turquoise stones, "is a poison-wand!","I can't say it sounds better than the architectural show," she said, pulling out her hat-pins.,"I won't, then. Sure you can live alone with yourself for one minute," returns she, in very fine Irish; and, with a parting smile, sweet as nectar and far more dangerous, she goes.,He bowed, and without offering his hand--which it is very probable Major Jen would have refused to take--he left the room. When the door closed the older man sank into a chair and passed his hand across a brow moist with perspiration.,As before, nobody moved.，"Well, we don't play the game that way in these parts," said Billy and passed on, unheedful of the uncomplimentary names the chagrined driller threw after him.，"I think Geoffrey owes those Divinity boys more than he can ever pay," says the duchess, very prettily. "You must come and see me soon, child. I am an old woman, and seldom stir from home, except when I am positively ordered out by Malcom, as I was to-night. Come next Thursday. There are some charming trifles at the old Court that may amuse you, though I may fail to do so."，"Oh, I hope it happens next summer, when we're home!" she cried. "I've always been perfectly crazy to know an engaged couple and I never have—except Mr. Bingham and Miss Auborn, and they weren't so very interesting anyway."Major Jen chuckled and rubbed his hands together in a satisfied manner. Etwald bent his sombre looks on Maurice, and that young man, biting his lip, took up the implied challenge in Sarby's remark, and answered plainly:

Billy took his eyes from the pair of dead ducks, floating shoreward and turned wonderingly to his companion.,It was evident that great care had been exercised over Betty’s gift. She exclaimed joyously over a Cyclamen, whose pale pink blooms brought the flush of delight to her cheeks; a bag of peppermint bulls’ eyes elicited a like degree of appreciation.,“Never mind Mosey, yer heart don’t need fixin’ anyhow,” comforted Betty.,Billy had been reeling off stanzas of his favorite “Lady of the Lake,”—“by the yard,” Mrs. Bennett said, acting it as he recited, somewhat retarding the work and endangering the dishes. Now he dropped his towel, caught up his mother and raced with her around the room. He was so strong that she was almost helpless in his grasp.,"But could she prepare the special kind of poison required?","Liar!" says Geoffrey between his teeth, his eyes fixed with deadly hatred upon his cousin. "Liar—and thief!" He goes a few steps nearer him, and then waits.,"Where are people when they are not at home?" asks Mona, simply.,"Yes, very glad," returns he, hardly knowing what he says. He has gone back again to his first thoughts,—his mother's boudoir, with its old china, and its choice water-colors that line the walls, and its delicate Italian statuettes. In his own home—which is situated about fourteen miles from the Towers, and which is rather out of repair through years of disuse—there are many rooms. He is busy now trying to remember them, and to decide which of them would look best decked out in crimson and gray, or blue and silver: he hardly knows which would suit her best. Perhaps, after all——,“Yes. All got guns. Horses too. Bad men.”,When the jolting train stopped at the last station, the boy stepped off almost at Whiskers’ side. Dropping his suit case, he caught the hand that was stretched out to him and was happy when he saw the man’s grin of welcome.,"No, I ain't got time. I got t' fry some more eggs an' ham. Go 'long in to your breakfast, an' see you keep your mouth shut durin' the meal. An' look here," she admonished, "if I ketch you apullin' the cat's tail durin' after-breakfast prayers I'll wollop you till you can't stand.",Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart..