On the first floor was Madame’s bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely hidden under pen-and-ink sketches, Gouache landscapes and Audran engravings, relics of better times and vanished luxury. On the second floor, a garret-window lighted Felicite’s room, which looked out upon the meadows. Out there in the midst of such a succession of big smoky ones, a third man was added to our party, one Freeth. Shaking the water from my eyes as I emerged from one wave and peered ahead to see what the next one looked like, I saw him tearing in on the back of it, standing upright on his board, carelessly poised, a young god bronzed with sunburn. We went through the wave on the back of which he rode. Ford called to him. He turned an airspring from his wave, rescued his board from its maw, paddled over to us and joined Ford in showing me things. One thing in particular I learned from Freeth, namely, how to encounter the occasional breaker of exceptional size that rolled in. Such breakers were really ferocious, and it was unsafe to meet them on top of the board. But Freeth showed me, so that whenever I saw one of that calibre rolling down on me, I slid off the rear end of the board and dropped down beneath the surface, my arms over my head and holding the board. Thus, if the wave ripped the board out of my hands and tried to strike me with it (a common trick of such waves), there would be a cushion of water a foot or more in depth, between my head and the blow. When the wave passed, I climbed upon the board and paddled on. Many men have been terribly injured, I learn, by being struck by their boards.!

Wada and Henry, however, were tougher patients with which to deal. In the first place, Wada got in a bad funk. He was of the firm conviction that his star had set and that the Solomons would receive his bones. He saw that life about him was cheap. At Penduffryn he saw the ravages of dysentery, and, unfortunately for him, he saw one victim carried out on a strip of galvanized sheet-iron and dumped without coffin or funeral into a hole in the ground. Everybody had fever, everybody had dysentery, everybody had everything. Death was common. Here to-day and gone to-morrow—and Wada forgot all about to-day and made up his mind that to-morrow had come. And then Darling, Ernest Darling flying the red flag that is indicative of the brotherhood of man, hailed us. “Hello, Jack!” he called. “Hello, Charmian!” He paddled swiftly nearer, and I saw that he was the tawny prophet of the Piedmont hills. He came over the side, a sun-god clad in a scarlet loin-cloth, with presents of Arcady and greeting in both his hands—a bottle of golden honey and a leaf-basket filled with great golden mangoes, golden bananas specked with freckles of deeper gold, golden pine-apples and golden limes, and juicy oranges minted from the same precious ore of sun and soil. And in this fashion under the southern sky, I met once more Darling, the Nature Man.

But the abundance! There was so much of it. We could not work the Snark for the fruit that was in the way. She was festooned with fruit. The life-boat and launch were packed with it. The awning-guys groaned under their burdens. But once we struck the full trade-wind sea, the disburdening began. At every roll the Snark shook overboard a bunch or so of bananas and cocoanuts, or a basket of limes. A golden flood of limes washed about in the lee-scuppers. The big baskets of yams burst, and pineapples and pomegranates rolled back and forth. The chickens had got loose and were everywhere, roosting on the awnings, fluttering and squawking out on the jib-boom, and essaying the perilous feat of balancing on the spinnaker-boom. They were wild chickens, accustomed to flight. When attempts were made to catch them, they flew out over the ocean, circled about, and came back. Sometimes they did not come back. And in the confusion, unobserved, the little sucking pig got loose and slipped overboard. This is the way it is done. The canoes form in line, one hundred to two hundred feet apart. In the bow of each canoe a man wields a stone, several pounds in weight, which is attached to a short rope. He merely smites the water with the stone, pulls up the stone, and smites again. He goes on smiting. In the stern of each canoe another man paddles, driving the canoe ahead and at the same time keeping it in the formation. The line of canoes advances to meet a second line a mile or two away, the ends of the lines hurrying together to form a circle, the far edge of which is the shore. The circle begins to contract upon the shore, where the women, standing in a long row out into the sea, form a fence of legs, which serves to break any rushes of the frantic fish. At the right moment when the circle is sufficiently small, a canoe dashes out from shore, dropping overboard a long screen of cocoanut leaves and encircling the circle, thus reinforcing the palisade of legs. Of course, the fishing is always done inside the reef in the lagoon. And suddenly, out there where a big smoker lifts skyward, rising like a sea-god from out of the welter of spume and churning white, on the giddy, toppling, overhanging and downfalling, precarious crest appears the dark head of a man. Swiftly he rises through the rushing white. His black shoulders, his chest, his loins, his limbs—all is abruptly projected on one’s vision. Where but the moment before was only the wide desolation and invincible roar, is now a man, erect, full-statured, not struggling frantically in that wild movement, not buried and crushed and buffeted by those mighty monsters, but standing above them all, calm and superb, poised on the giddy summit, his feet buried in the churning foam, the salt smoke rising to his knees, and all the rest of him in the free air and flashing sunlight, and he is flying through the air, flying forward, flying fast as the surge on which he stands. He is a Mercury—a brown Mercury. His heels are winged, and in them is the swiftness of the sea. In truth, from out of the sea he has leaped upon the back of the sea, and he is riding the sea that roars and bellows and cannot shake him from its back. But no frantic outreaching and balancing is his. He is impassive, motionless as a statue carved suddenly by some miracle out of the sea’s depth from which he rose. And straight on toward shore he flies on his winged heels and the white crest of the breaker. There is a wild burst of foam, a long tumultuous rushing sound as the breaker falls futile and spent on the beach at your feet; and there, at your feet steps calmly ashore a Kanaka, burnt, golden and brown by the tropic sun. Several minutes ago he was a speck a quarter of a mile away. He has “bitted the bull-mouthed breaker” and ridden it in, and the pride in the feat shows in the carriage of his magnificent body as he glances for a moment carelessly at you who sit in the shade of the shore. He is a Kanaka—and more, he is a man, a member of the kingly species that has mastered matter and the brutes and lorded it over creation.