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"Mr Greyquill!" echoed the Admiral, looking with a changed face at the footman.,

Sir William Lawrence was very grave, his looks were stern, almost fierce, as he entered the boat. Captain Acton was cool and thoughtful. His brow was knitted; his lips were set. His demeanour was that of a self-possessed man confronted by a condition of things rendered complex by features extraneous to the main trouble or difficulty, yet confounding it by their existence. Lucy watched the scene from the after-part of the Aurora's quarterdeck. She stood alone in that part of the ship leaning upon the rail, and once or twice her gaze followed the boat that was bearing her father and the Admiral to the Minorca; but it was chiefly directed at the[Pg 434] barque whose length she explored for a sight of the tall figure whom she had immediately recognised as Mr Lawrence, whilst Sir William was surveying his son through his glass. She mused upon the amazing passage of her life that had filled the interval between the time of her going on board yonder ship, believing her father to be lying dangerously injured in her, down to the hour of her transference to the Whitby brig. Never was her pensive beauty more fascinating than now, whilst her soft dark eyes brooded upon the ship that had been her floating prison. What would Mr Lawrence say or think when he came to understand that her madness was feigned, a dramatic stratagem to obtain liberty and restoration? How would he—but how could he—face his father whom he had degraded, and her father whom he had robbed and wronged?,

Next morning after Captain Acton had read prayers, he stepped on to the lawn to take the air for half an hour before breakfast, and was immediately followed by Lucy, who had hardly reached his side when Miss Acton appeared on the hall steps and carefully descended the broad flight, leaning on her crutch cane and followed by her pug.,

"Thanks. Now you mustn't tell me when it comes again—the light—I want to see if I can feel it. I hope—"

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Billy found Mrs. Keeler peeling onions in the cook-house and after some trouble made her understand what was wanted. While she was shedding her apron and hunting for her hat he went outside. Maurice's school-books and slate lay on the bench beneath the hop vine. Billy grinned as his eyes fell on them. He climbed to the top of the gate-post and searched the surrounding fields for his chum, locating him finally down near the ditch, a lonely and pathetic figure seated on a little knoll, methodically topping mangles with a sickle. His back was toward Billy and it took all the latter's self restraint to refrain from giving the rally call, but he remembered what he had promised Maurice's father. So he slid down from the post and picking up the slate, produced a stub of slate-pencil from a pocket and wrote a message in symbols. Then on the other side of the slate he duplicated the message, adding the necessary key to the code. This was the message that Billy wrote,

A fat red-squirrel frisked down a tree close beside hia and halted, pop-eyed, to gaze upon him. "I tell you," Billy addressed it gravely, "it takes a good woman to steady a man." The statement was not of his own creation. He had heard it somewhere but he had never understood its meaning before. It seemed the fitting thing to say now and there was nobody to say it to except the squirrel.,

Reaching the cut Billy found the other shooters having some difficulty in getting their heavy skiff through the shallow and deceptive water, a feat which only one who was used to navigating could hope to accomplish successfully. At the same time he noted, with a start, that the men in the skiff were the mysterious drillers, Tom and Jack.,

"Hully gee! ol' feller, look!" Maurice extracted the wand and held it up before the animal's gaze. "Oh, don't put your ears back an' grin at me. I ain't goin' to use it on you," laughed the lad. "Look! This is what I'm goin' to do with that ol' bruiser's pointer." From a trouser's pocket he extracted a jackknife. "Now horsie, jest you watch me close. The next time he makes a cut at you he's goin' to get the surprise of his life. There, see? I've cut it through. Now I'll jest rub on some of this here clay to hide the cut. There you be! If I know anythin' 'bout seasoned hickory that pointer's goin' to split into needles right in his hand. I hope they go through his ol' fist and clinch on t'other side."