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"Why, what is this?" she says, a moment later; "and what a curious hand! Not a gentleman's surely.",

"Nay, you can say all that on your way back, an' get a half-shot into the bargain," says old Scully, heartily. "You'll hardly beat the potheen I can give ye." He winks knowingly, pats Rodney kindly on the shoulder, and leads the way out of the house. Yet I think Geoffrey would willingly have bartered potheen, partridge, and a good deal more, for just one last glance at Mona's beautiful face before parting. Cheered, however, by the prospect that he may see her before night falls, he follows the farmer into the open air.,

"You speak like a lover," says Lady Rodney, with an artificial laugh. "Do you repeat all this to Dorothy? She must find it very interesting.",

But, though "lost to sight," to memory he is most unpleasantly "dear." Standing alone in the middle of the deserted field, Mona pulls to pieces, in a jerky, fretful fashion, a blade of grass she has been idly holding during the late warm discussion. She is honestly very much frightened at what she has done, but obstinately declines to acknowledge it even to her own heart. In a foolish but natural manner she tries to deceive herself into the belief that what has happened has been much to her own advantage, and it will be a strict wisdom to rejoice over it.

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It is told also that the creator made people and animals at another place, and in another way. At the Porcupine Mountains he made other earthen images of people, and blew breath on the images, and they became people. They were men and women. After a time they asked him, "What are we to eat?" Then he took more earth and made many images in the form of buffalo, and when he had blown on them they stood up, and he made signs to them and they started to run. He said to the people, "There is your food.",

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

This last remark, being in a degree ungenerous, causes a sensation. A young man, stepping out from the confusion, says, very earnestly,—,

"Go back once more," said the young man, "and tell Three Bulls to send me that young woman."