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"That is out of my power," says Darling, whom the last speech—and glance that accompanied it—has completely finished. "I only pray you of your grace never to be unkind to me.","But you have interested me," says Geoffrey, seating himself on the broad sill of the window, as though preparing for a long dissertation on matters still unknown. "Pray tell me how your brother and his lovely wife—who evidently was as wise and true as she was lovely—got on.","Very well, if you wish.",Once, a long time ago, the antelope and the deer happened to meet on the prairie. They spoke together, giving each other the news, each telling what he had seen and done. After they had talked for a time the antelope told the deer how fast he could run, and the deer said that he could run fast too, and before long each began to say that he could run faster than the other. So they agreed that they would have a race to decide which could run the faster, and on this race they bet their galls. When they started, the antelope ran ahead of the deer from the very start and won the race and so took the deer's gall.,"You seem to take my success in this case as a certainty," he says, with a frown. "I may fail.","You—will—say——" Here he breaks down ignominiously, and confesses by his inability to proceed that he doesn't in the least know what it is she can say.,The whole firmament is of a soft azure, flecked here and there with snowy clouds tipped with palest gray. A little cloud—the tenderest veil of mist—hangs between earth and sky.,Geoffrey is rushing hither and thither, without his hat, and without his temper, in a vain endeavor to secure the rebel and reduce him to order. He is growing warm, and his breath is coming more quickly than is exactly desirable; but, being possessed with the desire to conquer or die, he still holds on. He races madly over the ground, crying "Shoo!" every now and then (whatever that may mean) in a desperate tone, as though impressed with the belief that this simple and apparently harmless expletive must cow the foe.,Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air.,He had left Mona in the morning at the Grosvenor, and had run down to have it out with his mother and get her permission to bring Mona to the Towers to be introduced to her and his brothers. This he preferred to any formal calling on their parts.,He touches his hat to her, and bids her a respectful "good afternoon," but for once she is blind to his salutation. Nevertheless, she stops before him, and, in a clear voice, says, coldly,—,Yet in this he spoke the truth, echoing Spenser (though unconsciously), where he says,——.