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55 club is The girl's heart gave a tremendous bound; the right way dawned upon her in a flash. Obscurity indeed the next moment engulfed this course, but for a few thrilled seconds she had understood. To send the things back "for her" meant of course to send them back if there were even a dim chance that she might become mistress of them. Fleda's palpitation was not allayed as she asked herself what portent Mrs. Gereth had suddenly perceived of such a chance: that perception could come only from a sudden suspicion of her secret. This suspicion, in turn, was a tolerably straight consequence of that implied view of the propriety of surrender from which, she was well aware, she could say nothing to dissociate herself. What she first felt was that if she wished to rescue the spoils she wished also to rescue her secret. So she looked as innocent as she could and said as quickly as possible: "For me? Why in the world for me?" In her bewildered horror she tried to think. "Have they come back?".

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🎮 Such a challenge Fleda was obliged in some manner to take up. "You may be settling Mona," she returned with a smile, "but I can hardly regard it as sufficient evidence that you're settling Mona's lover." These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"!

🏆 "You won't wait for what we may hear?" Mrs. Gereth asked. Mrs. Gereth confessed to the fact of danger with a cynicism that surprised the girl. "By calculating, by choosing my time. I was quiet, and I was quick. I manœuvred; then at the last rushed!" Fleda drew a long breath: she saw in the poor woman something much better than sophistical ease, a crude elation that was a comparatively simple state to deal with. Her elation, it was true, was not so much from what she had done as from the way she had done it—by as brilliant a stroke as any commemorated in the annals of crime. "I succeeded because I had thought it all out and left nothing to chance: the whole process was organized in advance, so that the mere carrying it into effect took but a few hours. It was largely a matter of money: oh, I was horribly extravagant—I had to turn on so many people. But they were all to be had—a little army of workers, the packers, the porters, the helpers of every sort, the men with the mighty vans. It was a question of arranging in Tottenham Court Road and of paying the price. I haven't paid it yet; there'll be a horrid bill; but at least the thing's done! Expedition pure and simple was the essence of the bargain. 'I can give you two days,' I said; 'I can't give you another second.' They undertook the job, and the two days saw them through. The people came down on a Tuesday morning; they were off on the Thursday. I admit that some of them worked all Wednesday night. I had thought it all out; I stood over them; I showed them how. Yes, I coaxed them, I made love to them. Oh, I was inspired—they found me wonderful. I neither ate nor slept, but I was as calm as I am now. I didn't know what was in me; it was worth finding out. I'm very remarkable, my dear: I lifted tons with my own arms. I'm tired, very, very tired; but there's neither a scratch nor a nick, there isn't a teacup missing." Magnificent both in her exhaustion and in her triumph, Mrs. Gereth sank on the sofa again, the sweep of her eyes a rich synthesis and the restless friction of her hands a clear betrayal. "Upon my word," she laughed, "they really look better here!"!

🔥 Download 55 club The mixture of reluctance and dependence in this made her feel how much she was failing him. She had the sense of "chucking" him too. "No, no, not yet!" she said, though she had really no other and no better course to prescribe. "Doesn't it occur to you," she asked in a moment, "that if Mona is, as you say, drawing away, she may have, in doing so, a very high motive? She knows the immense value of all the objects detained by your mother, and to restore the spoils of Poynton she is ready—is that it!—to make a sacrifice. The sacrifice is that of an engagement she had entered upon with joy." "I've seen him but twice," said Fleda.!🔥