"What has made the difference?" CHAPTER V!

"To send them back—to keep it quiet." The girl had not felt the impulse to ask him to sit down among the monuments of his wrong, so that, nervously, awkwardly, he fidgeted about the room with his hands in his pockets and an effect of returning a little into possession through the formulation of his view. "To have them packed and dispatched again, since she knows so well how. She does it beautifully"—he looked close at two or three precious pieces. "What's sauce for the goose is sauce for the gander!" "Is that what he calls it?" She seemed to speak with disinterested curiosity.

Blanched and bleak, Mrs. Gereth looked at her. "What sort of an obligation do you call that? No such obligation exists for an hour between any man and any woman who have hatred on one side. He had ended by hating her, and now he hates her more than ever." "The answer to his message is perfectly distinct: he shall have everything in the place the minute he'll say he'll marry you." "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"