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"Can you explain, Captain Weaver," interrupted Miss Acton, whose irrelevancy was feminine, and whose question was based on her desire to hear something that she could understand, for the talk now as it ran was beyond her—"how it was that Miss Lucy Acton, who is one of the best known ladies who reside in these parts, should pass along the wharves and go on board the Minorca to be made a prisoner of and sailed away with, without anybody seeing her—without anybody being able to say that he saw a young female pass along? Even if he could describe her dress without knowing who she was, we should have been able to conclude that Mr Lawrence[Pg 230] had lured her on board: for we never could have supposed that she would have gone to him without his being guilty of some base stratagem to inveigle her.",

"And fer why should I tell Spencer, thin?" Harry asked, his blood-shot eyes wide in wonder. "Nobuddy told me where to find ut, did they?",

"She is too careful. She may safely be trusted. Besides, are there not blockaders stationed along these cliffs, and would not one see her on the rocks? No, no, no! an accident is not the cause of her disappearance. The more I think, the more persuaded I am that Mr Lawrence has had a hand in this horrid business. Why did he sail so early and long before his time? Why was his steward Paul engaged to carry the letter?",

"Then tell me if you see her," and the Admiral watched him with such an expression of face as he might have looked with at a falling barometer in seas distinguished for cyclones and typhoons.

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"I beg your pardon," exclaimed Captain Acton, whose agitation was marked when Mr Adams ceased to speak, "but may I enquire if you are quite sure that it was my daughter whom you met?",

Maurice sank weakly down against a tree trunk, and groaned.,

"Is our dinner up, Ma?" Billy asked, as he pushed back his chair.,

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.