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"Let me go," said Maurice quickly. "I know jest how to do it an' kin get through in less'n half the time it'll take you.",

"Naw, Maurice. A symbol is a mark what means somethin'. Have you got that message I sent you? Well, give it here an' I'll show you. Now then, you see them two marks standin' up 'longside each other?",

She dropped the yellow blossoms on the mound and they went out into the sunshine together and gathered more. When they had finished the task they went across to the weedy plot in which stood the tumble-down hut. There, seated side by side beneath a gnarled wild-apple tree, Billy told her all he had to tell her, and heard her say, just as he knew she would say, "Billy, I'm glad.",

"'Gimme the money,' says Johnston.

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Captain Acton, holding the Greyquill letter in his hand, stepped to a bell rope and pulled it. The hue of his face was ashen, the expression cold and severe: such a face as he would carry had he to confront a crowd of armed mutineers.,

"I believe Mr Eagle is a very respectable man, though illiterate like most of them in the lower walks of the Merchant Service," said Captain Acton. "This sort of people come on board through the hawse pipe, but at a pinch their knowledge which is uncommonly practical, is sometimes vastly useful. They are acquainted with manœuvres which would often put their betters to their trumps.[Pg 111] They know all about rigging, its straining point, have little tricks above the average seamanship for heavy weather, are learned in the pumps and their gear, and indeed know ships not only with the familiarity of a master-rigger, but of a master builder. One of these men I believe is Eagle, and I think, sir, you will find him all that I tell you he is, though like most of his class he is of a somewhat sour and sullen nature, and quick to grumble. I'll go home with you, sister. Admiral, can we give you a lift?",

"Gollies!" exulted Maurice. Then uncertainty in his tones, "A feller 'ud have to be a mighty good shot to do that though, Bill.",

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.