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"Thomas has plainly taken to hieroglyphics,—if it be Thomas," he says. "I can fancy his pressing his young woman's right hand, but her 'top corner' baffles me. If I were Thomas, I shouldn't hanker after a girl with a 'top corner;' but there is no accounting for tastes. It really is curious, though, isn't it?" As he speaks he looks at Mona; but Mona, though seemingly returning his gaze, is for the first time in her life absolutely unmindful of his presence.,

CHAPTER XXXVI.,

"I'll see about it. And, oh, Geoffrey, I do hope you will like me in it, and think me pretty," she says, anxiously, half fearful of this gown that is meant to transform a "beggar maid" into a queen fit for "King Cophetua." At least such is her reading of the part before her.,

"A little," says Mona. It is perhaps the nearest approach to a falsehood she has ever made.

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It is an hour later. Afternoon draws towards evening, yet one scarcely feels the change. It is sultry, drowsy, warm, and full of a "slow luxurious calm.",

"Wi' the auld moon in hir arme,",

"We should be all good subjects enough, if things were on a friendlier footing," says Mona, too absorbed in her own grievance to notice Mr. Rodney's suppressed but evident enjoyment of her conversation. "But when you despise us, you lead us to hate you.",

To-morrow will be market-day in Bantry, to which the week's butter must go; and now the churning is over, and the result of it lies cold and rich and fresh beneath Mona's eyes. She herself is busily engaged printing little pats off a large roll of butter that rests on the slab before her; her sleeves are carefully tucked up, as on that first day when Geoffrey saw her; and in defiance of her own heart—which knows itself to be sad—she is lilting some little foolish lay, bright and shallow as the October sunshine that floods the room, lying in small silken patches on the walls and floor.