Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. Arthur was still away when she arrived home. He had gone to Norway on business. Her father was afraid he would find it difficult to get back. Telegraphic communication had been stopped, and they had had no news of him. Her father was worried. A big Government contract had come in, while many of his best men had left to enlist.!

But the sinner, confessing his fault, is entitled to forgiveness, and, having put him back into his proper place, she let him kiss her hand. She even went further and let him ask her out to dinner. As the result of her failure to reform Mrs. Phillips she was feeling dissatisfied with herself. It was an unpleasant sensation and somewhat new to her experience. An evening spent in Arthur’s company might do her good. The experiment proved successful. He really was quite a dear boy. Eyeing him thoughtfully through the smoke of her cigarette, it occurred to her how like he was to Guido’s painting of St. Sebastian; those soft, dreamy eyes and that beautiful, almost feminine, face! There always had been a suspicion of the saint about him even as a boy: nothing one could lay hold of: just that odd suggestion of a shadow intervening between him and the world. She did effect an improvement in the poor lady’s dress. On Madge’s advice she took her to a voluble little woman in the Earl’s Court Road who was struck at once by Madame Phillips’s remarkable resemblance to the Baroness von Stein. Had not Joan noticed it? Whatever suited the Baroness von Stein—allowed by common consent to be one of the best-dressed women in London—was bound to show up Madame Phillips to equal advantage. By curious coincidence a costume for the Baroness had been put in hand only the day before. It was sent for and pinned upon the delighted Madame Phillips. Perfection! As the Baroness herself would always say: “My frock must be a framework for my personality. It must never obtrude.” The supremely well-dressed woman! One never notices what she has on: that is the test. It seemed it was what Mrs. Phillips had always felt herself. Joan could have kissed the voluble, emphatic little woman.

“’Orrible murder of a woman. Shockin’ details. Speshul,” repeating it over and over again in a hoarse, expressionless monotone. “Forgive me,” he said. “You must remember that I am still her lover.” They had reached the tree that leant a little forward beyond its fellows, and he had halted and turned so that he was facing her. “Did she and your father get on together. Was she happy?” “I can’t if I’m ill,” retorted Joan. “Besides, I am helping him. There are other ways of helping people than by wasting their time talking to them.”