A last word: the test of the voyage. It is easy enough for me or any man to say that it was enjoyable. But there is a better witness, the one woman who made it from beginning to end. In hospital when I broke the news to Charmian that I must go back to California, the tears welled into her eyes. For two days she was wrecked and broken by the knowledge that the happy, happy voyage was abandoned. The sisters thought that Virginia was affectionate but delicate. The slightest emotion enervated her. She had to give up her piano lessons. Her mother insisted upon regular letters from the convent. One morning, when the postman failed to come, she grew impatient and began to pace to and fro, from her chair to the window. It was really extraordinary! No news since four days!!

He informed her that she would never see her sweetheart again; for, in order to escape the conscription, he had married a rich old woman, Madame Lehoussais, of Toucques. On one side of the trail the landscape rises straight up. On the other side it sinks straight down. The only way to get out of my way is to keep on going. How that string of horses kept their feet is a miracle; but they dashed ahead, over-running one another, galloping, trotting, stumbling, jumping, scrambling, and kicking methodically skyward every time a wasp landed on them. After a while we drew breath and counted our injuries. And this happened not once, nor twice, but time after time. Strange to say, it never grew monotonous. I know that I, for one, came through each brush with the undiminished zest of a man flying from sudden death. No; the pilgrim from Taiohae to Typee will never suffer from ennui on the way.

As originally planned, the Snark was to be forty feet long on the water-line. But we discovered there was no space for a bath-room, and for that reason we have increased her length to forty-five feet. Her greatest beam is fifteen feet. She has no house and no hold. There is six feet of headroom, and the deck is unbroken save for two companionways and a hatch for’ard. The fact that there is no house to break the strength of the deck will make us feel safer in case great seas thunder their tons of water down on board. A large and roomy cockpit, sunk beneath the deck, with high rail and self-bailing, will make our rough-weather days and nights more comfortable. Next we came to a house of coolness, with great sweeping veranda, where lotus-eaters might dwell. Windows and doors were wide open to the breeze, and the songs and fragrances blew lazily in and out. The walls were hung with tapa-cloths. Couches with grass-woven covers invited everywhere, and there was a grand piano, that played, I was sure, nothing more exciting than lullabies. Servants—Japanese maids in native costume—drifted around and about, noiselessly, like butterflies. Everything was preternaturally cool. Here was no blazing down of a tropic sun upon an unshrinking sea. It was too good to be true. But it was not real. It was a dream-dwelling. I knew, for I turned suddenly and caught the grand piano cavorting in a spacious corner of the room. I did not say anything, for just then we were being received by a gracious woman, a beautiful Madonna, clad in flowing white and shod with sandals, who greeted us as though she had known us always. And suddenly, out there where a big smoker lifts skyward, rising like a sea-god from out of the welter of spume and churning white, on the giddy, toppling, overhanging and downfalling, precarious crest appears the dark head of a man. Swiftly he rises through the rushing white. His black shoulders, his chest, his loins, his limbs—all is abruptly projected on one’s vision. Where but the moment before was only the wide desolation and invincible roar, is now a man, erect, full-statured, not struggling frantically in that wild movement, not buried and crushed and buffeted by those mighty monsters, but standing above them all, calm and superb, poised on the giddy summit, his feet buried in the churning foam, the salt smoke rising to his knees, and all the rest of him in the free air and flashing sunlight, and he is flying through the air, flying forward, flying fast as the surge on which he stands. He is a Mercury—a brown Mercury. His heels are winged, and in them is the swiftness of the sea. In truth, from out of the sea he has leaped upon the back of the sea, and he is riding the sea that roars and bellows and cannot shake him from its back. But no frantic outreaching and balancing is his. He is impassive, motionless as a statue carved suddenly by some miracle out of the sea’s depth from which he rose. And straight on toward shore he flies on his winged heels and the white crest of the breaker. There is a wild burst of foam, a long tumultuous rushing sound as the breaker falls futile and spent on the beach at your feet; and there, at your feet steps calmly ashore a Kanaka, burnt, golden and brown by the tropic sun. Several minutes ago he was a speck a quarter of a mile away. He has “bitted the bull-mouthed breaker” and ridden it in, and the pride in the feat shows in the carriage of his magnificent body as he glances for a moment carelessly at you who sit in the shade of the shore. He is a Kanaka—and more, he is a man, a member of the kingly species that has mastered matter and the brutes and lorded it over creation.