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But the breakfast bell had been rung, and leaving Captain Weaver and his mate to keep an eye upon the stranger and to act with the prudence which was to be expected of a man of Weaver's sagacity and experience, Captain Acton and his companion entered the deck-house. Here was a cheerful little interior, gay with sunshine, which sparkled in the furniture of the breakfast-table, on which smoked as relishable and hearty a meal as was to be obtained at sea in those days. The two gentlemen found much to talk about, and perhaps because of an argument they had fallen into, their sitting was somewhat lengthened: until just when they were about to rise, Captain Weaver came to the cabin door, and after, with the old-fashioned courtesy of his period, begging their pardon, he exclaimed: "The sail's now clear in the glass from the deck.",

Anson's jaw dropped and he backed fearfully away.,

"Oh, you have done well. Acton will value your foresight. A sick-bay is a valuable detail in a ship's catalogue.",

Billy found Mrs. Keeler peeling onions in the cook-house and after some trouble made her understand what was wanted. While she was shedding her apron and hunting for her hat he went outside. Maurice's school-books and slate lay on the bench beneath the hop vine. Billy grinned as his eyes fell on them. He climbed to the top of the gate-post and searched the surrounding fields for his chum, locating him finally down near the ditch, a lonely and pathetic figure seated on a little knoll, methodically topping mangles with a sickle. His back was toward Billy and it took all the latter's self restraint to refrain from giving the rally call, but he remembered what he had promised Maurice's father. So he slid down from the post and picking up the slate, produced a stub of slate-pencil from a pocket and wrote a message in symbols. Then on the other side of the slate he duplicated the message, adding the necessary key to the code. This was the message that Billy wrote

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Whilst this singular conversation was being conducted in the cabin, a scene in the tragicomedy of which this book is the relation was being prepared on deck. The convoy on the starboard bow had considerably risen and was scattering, and flags from the armed fabrics which watched the vessels streamed at gaff end and mizzen royal mast-head in signal to the slow sailers and to other ships whose blockheads of masters, indifferent to the safety of the bottoms they commanded, acted without reference to the possibility of the enemy heaving into view, and some of them with the contemptible determination to prove their independence by giving the commodore and the naval officers in the other ships as much trouble and annoyance as skilless seamanship could provide.,

Lucy over-night had said she would join them, but she did not appear at the breakfast table. Her father enquired for her, and was told that she had left the house an hour earlier, or perhaps more, to take the morning air and a walk with her dog.,

"And that was the reason for sailing which he gave you?" said Captain Acton.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.