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“Jiminy whiz! Your royal splendor dazzles me!” Billy chaffed.,

He placed them before him, Rain and Storm, took his great golden horn of plenty under his arm, stepped on the wheeled board, signalled the super, and rolled on, driving the crouching pair in front of him with pelting showers’ of rose leaves, and landing at his station just as the chorus filed in. The gray pair threw their shrouding mantles over the truck, and still crouching pushed it out of sight; and the spectators, believing they had laughed in the wrong place, cheered vociferously, and never knew the difference.,

“I guess so. What else?”,

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.

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“Gosh! Wisht Betty was here right this minute. Mebbe I’m dyin’. Hope nobody starts twangin’ a harp. My nose is worser’n ever!”,

“But it isn’t ten o’clock.”,

Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails.,

“Swing with Captain Jinks, swing with the horse that ate the beans, swing with the girl with the great big feet.”