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Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.,

“Mr. Whitney told me something about it and the reason I’m late to-day is that I got mixed up in the mess—”,

“I meant particularly at school.”,

To Emilia this design occasioned a distress which almost subdued the resolution of madame. Her tears and intreaties spoke the artless energy of sorrow. In madame she lost her only friend; and she too well understood the value of that friend, to see her depart without feeling and expressing the deepest distress. From a strong attachment to the memory of the mother, madame had been induced to undertake the education of her daughters, whose engaging dispositions had perpetuated a kind of hereditary affection. Regard for Emilia and Julia had alone for some time detained her at the castle; but this was now succeeded by the influence of considerations too powerful to be resisted. As her income was small, it was her plan to retire to her native place, which was situated in a distant part of the island, and there take up her residence in a convent.

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The clock struck twelve, when she arose to depart. Having embraced her faithful friend with tears of mingled grief and anxiety, she took a lamp in her hand, and with cautious, fearful steps, descended through the long winding passages to a private door, which opened into the church of the monastery. The church was gloomy and desolate; and the feeble rays of the lamp she bore, gave only light enough to discover its chilling grandeur. As she passed silently along the aisles, she cast a look of anxious examination around—but Ferdinand was no where to be seen. She paused in timid hesitation, fearful to penetrate the gloomy obscurity which lay before her, yet dreading to return.,

Was he to die, trapped like a rat? Was this the end of his adventure? It looked very much like it. But something would not let him give up. He would make one more attempt for his life and liberty.,

Her lover sinking back, endeavoured to conceal his emotions, but the deep sobs which agitated his breast betrayed his anguish, and the tears of every spectator bedewed the sacred spot where beauty, sense, and innocence expired.,

Her woman having once more left the room, stopped at the door to listen, but all within remaining silent, she retired to rest.