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"It entirely depends on what you consider a lady," says Geoffrey, calmly, keeping his temper wonderfully, more indeed for Mona's sake than his own. "You think a few grandfathers and an old name make one: I dare say it does. It ought, you know; though I could tell you of several striking exceptions to that rule. But I also believe in a nobility that belongs alone to nature. And Mona is as surely a gentlewoman in thought and deed as though all the blood of all the Howards was in her veins.",

"Then, no doubt, she heaped upon you priceless gems of Irish wit in her mother-tongue?",

Mrs. Geoffrey, thus addressed, rouses herself, and says, "What can I do for you?" in a far-away tone that proves she has been in thought-land miles away from every one. Through her brain some words are surging. Her mind has gone back to that scene in the conservatory last night when she and Paul Rodney had been together. What was it he had said? What were the exact words he had used? She lays two fingers on her smooth white brow, and lets a little frown—born only of bewildered thought—contract its fairness.,

The camp had not moved far, and the lodges were pitched on the next stream to the south. Soon after dark, the two friends entered it and went to their lodge. The poor old grandmother could not believe her eyes when she saw the young man she had reared and loved so dearly; but when he spoke she knew that it was he, and running over to him she held him in her arms and kissed him, crying from joy. After a little time, the young man said to her, "Grandmother, go to the chief's lodge and say to him that I, Red Robe, need some dried meat." The old woman hesitated at this strange request, but Red Robe said: "Go, do not fear him; Three Bulls is now the one to know fear."

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"Answer me," persists Mona, not heeding—nay, scarcely hearing—his last speech. "You said once it would be difficult to lie to me. Do you know anything of this missing will?",

"You know your mother will object to me," says Mona, with an effort, speaking hurriedly, whilst a little fleck of scarlet flames into her cheeks.,

She is clad in a snowy gown of simple cotton, that sits loosely to her lissom figure yet fails to disguise the beauty of it. A white kerchief lies softly on her neck. She has pulled up her sleeves, so that her arms are bare,—her round, soft, naked arms that in themselves are a perfect picture. She is standing with her head well thrown back, and her hands—full of corn—lifted high in the air, as she cries aloud, "Cooee! Cooee!" in a clear musical voice.,

It is over; the curtain is down; the charming transformation-scene has reached its end, and the fairy-queen doffing her radiant robes, descends once more to the level of a paltry mortal.