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Etwald came immediately from Deanminster in company with Arkel, whom this last extraordinary event took entirely by surprise. He questioned Sampson--the young policeman left in charge--he searched the chamber of death, stepped out of the window and across the lawn toward the belt of laurels which divided the lawn from a winding and tortuous lane. This, a tenebrous pathway even in the noonday, slipped eel-like through darkling trees to emerge into the high road a quarter of a mile away. Arkel was so long absent that Jen could only surmise that he had gone into this outward darkness, and on the inspector's return it appeared that the major was right in his conjecture. Furthermore Arkel brought back certain news.,

"Be more explicit, man," he said sternly. "What do you mean by Mrs. Dallas' place? The house or the grounds?",

"Oh, he couldn't say anything right out," replied Griffin knowingly, "but he made it hot for us, I tell you. Poor old Bottle Green caught it first, for painting before he'd given her permission, and then he jumped on me for not painting. Radford caught it and then he lit on Slovinski for using the Whistler palette, and she just blew up! These Poles aren't like us tame tabbies, you know, and she's full of ginger, for all her sleepy ways. She's terribly high-born, you know, and can't bear anyone to look cross-eyed at her.",

"To see me!" said Maurice, looking at his rival. "Then why did you not go to 'Ashantee?'"

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"Now you're safe and sound, with no bones broken," said Griffin, as Patricia sank down on the roomy couch. "You're a nice one, you are, scaring us into a blue fit just when we were about to blister our paws with applause for the heroine of the day.",

"But Elinor didn't even get a criticism in the head class yet," protested Patricia, unconvinced. "Mr. Benton didn't get around to her this morning, and she doesn't get any criticism in the night life till tomorrow afternoon. I don't see how she could be jealous.",

Mrs. Shelly went on with her knitting, but Patricia, who was mending a long rent in her best blouse, looked up with eager interest.,

Judith, with her cheeks flushing and paling and her composed tones carrying conviction, laid the story of her discoveries before them, telling them how she had thought of it first "for fun, like a plot for a story," and then how she had remembered that Doris Leighton had Elinor's keys with access to the locker where the two studies for the prize designs were left that night that Elinor was taken ill; how she had discovered through Doris' younger sister that Doris had made her study for the Roberts prize from a little rough color sketch "just like Elinor had."