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Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.,

He seemed convinced by these enquiries at the wharves that at all events Mr Lawrence could have had nothing whatever to do with the communication which Mr Adams had seen Paul place in the hands of Miss Lucy. Who, then, was the sender of the note, and how was it that Paul, who should have been on board his ship since she was on the eve of sailing, should have been engaged to carry the letter? There was really no particular reason why the writer should be a man. Why should not she be a woman? She might even be[Pg 196] a relative of the fellow Paul. Lucy was a girl of singular kindness, who was always helping others and going amongst the poor and ministering to the afflicted; and though Captain Acton could not positively say, he might readily believe that she had one or two or three poor sufferers on her list whom she saw to and helped with her purse, and one of these—possibly a woman—might have written the letter in a moment of urgency intending it for delivery at Old Harbour House.,

Another element of admiration supplied increase of vitality to his passion when he gathered, from her own confession, that she simulated madness to rescue herself from a voyage whose issue threatened lifelong misery to her, and death by the hangman to the other.,

Billy turned slowly, his fingers fumbling with his cotton braces. He looked at the noxious dose in the tumbler, then at his mother's face. "All right," he said gently, "I'll take 'em, Ma; give 'em here."

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"Mr Greyquill!" cried Captain Acton.,

And thus speaking she turned to the bulkhead, and putting her arm against it buried her face in her sleeve, and fell to sobbing so piteously that you would have thought her poor little heart was broken.,

Captain Acton and Lucy were strictly reserved—in some directions rigidly silent. Even Aunt Caroline, who had looked carefully after the home, and particularly Lucy's little terrier Mamie, and who swooned away in a bundle of flowered gown and hoop at the sight of her niece, was kept in ignorance of many essential features of this story—where it begins when she steps off the stage—for fear that her tongue should betray more truth to outside ears than it was expedient or desirable they should be made acquainted with.,

She turned her eyes upon him when the surly shell-back had come to this part of his thoughts, and frowned without recognition in her face as he read it. She stared at him, not with the heavy-lidded, beautiful eyes of Lucy Acton, but with orbs of sight whose glances seemed keen as rays of light as they shot from under her knitted brows. Though her fair forehead was deformed by a scowl, her lips were curved into a meaningless smile—the very expression of the idiot's highest facial effort, and all meaning or no meaning that was in her countenance was accentuated by the unusual, uncommon, very faint tinge which had taken the place of the habitual bloom of her cheeks and paled her into an aspect of distraction, wildness, and insanity.