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To quarrel with Geoffrey's people will be to cause Geoffrey silent but acute regret, and so for his sake, to save him pain, she quietly bears many things, and waits for better days. What is a month or two of misery, she tells herself, but a sigh amidst the pleasures of one's life? Yet I think it is the indomitable pluck and endurance of her race that carries her successfully through all her troubles.,

"I should," says Geoffrey, pressing her hands. "You would always be to me the best and truest woman alive. But—but I shouldn't have liked it.",

When they grew to be twelve or fifteen years old they began to do better, for now they could do more and more for themselves. They herded horses and performed small services for the wealthy men; then, too, they hunted and killed a little meat. Now, for their work, three or four dogs were given them, so with the two the old woman owned, they were able to pack their small lodge and other possessions when the camp moved, instead of carrying everything on their backs.,

"You can waltz?"

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For the first time Mona learns she is not like this well-regulated young woman. She falls lamentably short of such excellence. She cannot bring herself to think the world of those she loves well lost for any consideration whatever. And after all—this horrid condition—it would be over in a moment. And she could run home with the coveted paper, and bathe her face in sweet cold water. And then again she shudders. Could she bathe the remembrance of the insult from her heart?,

Lady Rodney and Violet are sitting over the fire, and now Mona joins them, gowned in the blue satin dress in which she had come to meet Geoffrey, not so many months ago, in the old wood behind the farm.,

"No one can say we are not in time," says Jack, gayly. "It is exactly"—examining closely the ormolu-clock upon the mantelpiece—"one hour before we can reasonably expect dinner.",

It is a very pretty room, filled with a subdued light, and with a blazing fire at one end. All bespeaks warmth, and home, and comfort, but to Mona in her present state it is desolation itself. The three occupants of the room rise as she enters, and Mona's heart dies within her as a very tall statuesque woman, drawing herself up languidly from a lounging-chair, comes leisurely up to her. There is no welcoming haste in her movements, no gracious smile, for which her guest is thirsting, upon her thin lips.