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Ebenezer Wopp became the grateful recipient of a quire of paper for notes. Miss Gordon was enabled to add to the decorations of her bureau a celluloid pictureframe on which were painted vivid blue and pink forget-me-nots. Mrs. Wopp reckoned “to git great comfort fer her corns an’ bungions” in a pair of soft house-shoes.,

Billy suspected his mother was waiting for him; he must hurry, he thought. Yet he couldn’t resist showing off a bit. He bent over his wheel, went by the girls with a rush and a “Hello!” made a neat turn, wheeled a figure “8” around a team or two, shouted, “Don’t frame up anything there!” as he passed a second time, and whizzed through the arch in his own high hedge with one wheel in the air.,

“Won’t you sing something else, Mrs. Wopp.” Nell was growing uncomfortable under Betty’s reference to the unburnished state of her cloud.,

“Moses, you git to the barn an’ hunt the aigs, an’ min’ you look in the haystack; that ole yaller hen has been wantin’ ter set in the nigh corner of it.”

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“Moses, you git to the barn an’ hunt the aigs, an’ min’ you look in the haystack; that ole yaller hen has been wantin’ ter set in the nigh corner of it.”,

From the waist down, Moses’ masculine and uncouth figure seemed to utter a dull protest against cut-me-downs. There are many forces in life that growing youths are not able to control. One of these, in the career of Moses, was the inexorable will of his mother that ordained homemade garments for his nether limbs. Made from his father’s discarded trousers of black and grey check, the new pair of abominations that adorned the legs of the youthful Wopp bore evidence to the unskilled fingers of the maker. They had the generous dimensions allowed by an imaginative and economical mind that could look into the future and could see legs lengthening and a general expansion. In fact, the coarse checked tweed fell in slight gathers, fore and aft. The dingy greenish-grey coat that slouched from Moses’ shoulders did not fail to heighten the effect, but seemed to set the costume in italics.,

“Come here Betty, till I clean yer face. Where is that boy Moses? I know he had a hand in this. Drat him anyhow,” said the incensed Mrs. Wopp.,

St. Elmo Mifsud, his angelic face framed in silky curls, now became the prey to the machinations of Pete Solway, who had eluded the vigilant eye of Mrs. Wopp during her dramatic recital. A roar of pain escaped the child as a sharp tweak was applied to his curls. Recalled to matters entirely mundane, the teacher administered severe reproof.