These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" The meeting of the two couples was sensibly awkward, and Fleda, who was sagacious, took the measure of the shock inflicted on Mrs. Gereth. There had been intimacy—oh yes, intimacy as well as puerility—in the horse-play of which they had just had a glimpse. The party began to stroll together to the house, and Fleda had again a sense of Mrs. Gereth's quick management in the way the lovers, or whatever they were, found themselves separated. She strolled behind with Mona, the mother possessing herself of her son, her exchange of remarks with whom, however, remained, as they went, suggestively inaudible. That member of the party in whose intenser consciousness we shall most profitably seek a reflection of the little drama with which we are concerned received an even livelier impression of Mrs. Gereth's intervention from the fact that ten minutes later, on the way to church, still another pairing had been effected. Owen walked with Fleda, and it was an amusement to the girl to feel sure that this was by his mother's direction. Fleda had other amusements as well: such as noting that Mrs. Gereth was now with Mona Brigstock; such as observing that she was all affability to that young woman; such as reflecting that, masterful and clever, with a great bright spirit, she was one of those who impose themselves as an influence; such as feeling finally that Owen Gereth was absolutely beautiful and delightfully dense. This young person had even from herself wonderful secrets of delicacy and pride; but she came as near distinctness as in the consideration of such matters she had ever come at all in now surrendering herself to the idea that it was of a pleasant effect and rather remarkable to be stupid without offense—of a pleasanter effect and more remarkable indeed than to be clever and horrid. Owen Gereth at any rate, with his inches, his features, and his lapses, was neither of these latter things. She herself was prepared, if she should ever marry, to contribute all the cleverness, and she liked to think that her husband would be a force grateful for direction. She was in her small way a spirit of the same family as Mrs. Gereth. On that flushed and huddled Sunday a great matter occurred; her little life became aware of a singular quickening. Her meagre past fell away from her like a garment of the wrong fashion, and as she came up to town on the Monday what she stared at in the suburban fields from the train was a future full of the things she particularly loved.!

Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged. Mrs. Gereth, holding her mantle together, appeared for a while to consider.

Mrs. Gereth reflected. "Very likely." Then she too hesitated. "The question is if it was worse than yours." The girl thought an instant; then met the difficulty by adopting, as an amendment, the same tone. "As any danger of the ridiculous." "Oh, she thinks they're all right!"