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By this time they have reached Dorothy's room, and now, sitting down, gaze mournfully at each other. Mona is so truly grieved that any one might well imagine this misfortune, that is rendering the very air heavy, in her own, rather than another's. And this wholesale sympathy, this surrendering of her body and mind to a grief that does not touch herself, is inexpressibly sweet to her poor little friend.,

It was very late. The Seven Stars had come to the middle of the night, yet again they heard the feast shout from the far end of the camp. In this lodge the men were painted with streaks of red, and their hair was all pushed to one side. After the feast the chief said, "We are different from all others here. We are called the Braves (Mŭt´-sĭks). We know not fear; we are death. Even if our enemies are as many as the grass we do not turn away, but fight and conquer. Bows are good weapons, lances are better; but our weapon is the knife.",

With the flint knives that had been given them they cut up the bodies of the dead buffalo. About this time Old Man came up and said to them, "It is not healthful to eat raw flesh. I will show you something better than that." He gathered soft, dry rotten wood and made punk of it, and took a piece of wood and drilled a hole in it with an arrow point, and gave them a pointed piece of hard wood, and showed them how to make a fire with fire sticks, and to cook the flesh of animals.,

"I am glad of that," says Mona, nicely, as he pauses merely through a desire for breath, not from a desire for silence.

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It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how——,

But Violet is content.,

She is dressed in black velvet, and has a cap of richest old lace upon her head. To the quick sensibilities of the Irish girl it becomes known without a word that she is not to look for love from this stately woman, with her keen scrutinizing glance and cold unsmiling lips.,

There is no vehement applause as Mona takes her fingers from the keys, but every one says, "Thank you," in a low tone. Geoffrey, going up to her, leans over her chair and whispers, with some agitation,—