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Every evening about sundown the man used to climb up to the top of this butte and sit there and look all over the country to see where the buffalo were feeding and whether any enemies were moving about. On top of the hill there was a buffalo skull, on which he used to sit.,

He tells Mona she is very welcome, and, still holding her hand, draws her over to the fire, and moves a big arm-chair in front of it, in which he ensconces her, bidding her warm herself, and make herself (as he says with a kindly smile that has still kinder meaning in it) "quite at home.",

"Now I am quite, quite happy," says Mona, and, rising from her knees, she goes back again to Geoffrey, and stands beside him. "Tell them all about last night," she says, looking up at him, "and the secret cupboard.",

"My dear mother, don't say that," entreats the young man, earnestly, going over to her and placing his arm round her neck. He is her favorite son, of which he is quite aware, and so hopes on. "What is it you object to?"

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"I am glad you have at last deigned to take some small notice of me," says he, with a faint touch of pique in his tone. And then, looking at him again, she sees it is the young man who had nearly ridden over her some time ago, and tells herself she has been just a little rude to his Grace the Duke of Lauderdale.,

"Go and dance, my dear," he says, quickly, in a tone that decides her. It is to please him, for his sake, she must do this thing; and so, without any awkward hesitation, yet without undue haste, she turns and lays her hand on the Australian's arm. A few minutes later she is floating round the room in his arms, and, passing by Geoffrey, though she sees him not, is seen by him.,

"I have been taught nothing," she says, with a most successful grasp at dignity. "They do not speak of you at the Towers,—at least, not unkindly." She looks at him as she says this, but lowers her eyes as she meets his. This dark, vehement young man almost frightens her.,

It is a very curious little room they enter,—yet pretty, withal, and suggestive of care and affection, and certainly not one to be laughed at. Each object that meets the view seems replete with pleasurable memory,—seems part of its gentle mistress. There are two windows, small, and with diamond panes like the parlor, and in the far end is a piano. There are books, and some ornaments, and a huge bowl of sweetly-smelling flowers on the centre-table, and a bracket or two against the walls. Some loose music is lying on a chair.