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“I’m chored from mornin’ till night, an’ arfter I go to sleep I do some more chorin’ jist to keep my hand in.” Moses was in a distinctly peevish mood.,

The dance was held in a new barn of which the floor was especially good. Indeed the young people of the family had seen to that. Unfortunately the stable end of the building was already in use and this proved to be somewhat inconvenient. During the festivities of the evening one delicate lady fainted from excitement and overpowering stable odors. She speedily revived, however, on being carried into the fresh air and soused with a bucket of cold water. The building was illuminated with lanterns and an occasional oil lamp. Benches were ranged along the walls. The crowd was large and as usual at these affairs men predominated in numbers. The dances were mostly square ones and when a husky caller-off became hoarse and exhausted with shouting, another took his place. He usually stood at one end of the building beside the fiddler.,

Jean and the twins, Charley, George and some others, rattled down the stairs; while Clarence and Harry stood rigid, with wooden scymitars drawn, one on each side of the door.,

“Betty dimples in an’ out, like Mar’s dough,” he remarked, joyously, “she’s shore gittin’ better.”

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He looked at the beaming faces, at the beautiful table with Jean’s great pagoda cake in the centre, the dates, 1893-1906, in evergreen; at the flowers everywhere; at the dishes,—they usually ate from vine leaves at their out-of-door feasts,—at the paper napkins folded fantastically and hovering over the table like gay butterflies. His eloquent face told his surprise, his gratitude, his delight. He opened his mouth to speak some fitting word, but it wouldn’t come. He tried again, for he felt the occasion called for something formally appreciative. But only a whimsical idea flitted into his mind; and he sang back—,

There they all were; those who had come first to the house, and many others: Jean, Bess Carter, Charley Strong, Max Krieber, Jackson Carter, the little colored boy, standing aloof, and others, large and small. All in a line they stood, and shouted up at him:,

Behind the two women trotted a chubby baby. “I see Billy boat,” he cried, shrilly, stumbled, fell, scrambled up again, and repeated his refrain.,

The theatre was entirely darkened long enough to arrange the grand piano. The pianist approached the instrument to the plaudits of the crowded house. The insult to his audience in the afternoon had succeeded in spreading his fame and a packed house greeted his evening performance. He turned and gazed intently toward the audience. He caught Nell’s glance, who sat near the front as he had wished, and he smiled an acknowledgment of her presence.