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"Well, if you will be a good girl, I will undertake that you shall go." She took her into her room, and said to her, "Go into the garden and bring me a pumpkin." Cinderella went at once, gathered the finest she could find, and brought it to her godmother, wondering the while how a pumpkin could enable her to go to the ball. Her godmother scooped it out, and, having left nothing but the rind, struck it with her wand, and the pumpkin was immediately changed into a beautiful coach, gilt all over. She then went and looked into the mouse-trap, where she found six mice, all alive. She told Cinderella to lift the door of the mouse-trap a little, and to each mouse, as it ran out, she gave a tap with her wand, and the mouse was immediately changed into a fine horse, so that at last there stood ready a handsome train of six horses, of a beautiful dappled mouse-grey colour. As she was in some difficulty as to what she could take to turn into a coachman, Cinderella said, "I will go and see if there is not a rat in the rat-trap; we will make a coachman of him.",

Well, he would not get up yet anyway, since it was raining so hard. He would lie there and sing all the school songs. So he began singing at the top of his voice, “Yes, we love our grand old Norway.” That went splendidly. Then he started another, but that tune ran up rather too high for his voice.,

“Don’t I see what?”,

They'd better have depended.

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'You are already acquainted with the secret of that night, so fatal to my peace. I recall the remembrance of it with an anguish which I cannot conceal; and why should I wish its concealment, since I mourn for one, whose noble qualities justified all my admiration, and deserved more than my feeble praise can bestow; the idea of whom will be the last to linger in my mind till death shuts up this painful scene.' Her voice trembled, and she paused. After a few moments she resumed her tale. 'I will spare myself the pain of recurring to scenes with which you are not unacquainted, and proceed to those which more immediately attract your interest. Caterina, my faithful servant, you know, attended me in my confinement; to her kindness I owe my escape. She obtained from her lover, a servant in the castle, that assistance which gave me liberty. One night when Carlo, who had been appointed my guard, was asleep, Nicolo crept into his chamber, and stole from him the keys of my prison. He had previously procured a ladder of ropes. O! I can never forget my emotions, when in the dead hour of that night, which was meant to precede the day of my sacrifice, I heard the door of my prison unlock, and found myself half at liberty! My trembling limbs with difficulty supported me as I followed Caterina to the saloon, the windows of which being low and near to the terrace, suited our purpose. To the terrace we easily got, where Nicolo awaited us with the rope-ladder. He fastened it to the ground; and having climbed to the top of the parapet, quickly slided down on the other side. There he held it, while we ascended and descended; and I soon breathed the air of freedom again. But the apprehension of being retaken was still too powerful to permit a full enjoyment of my escape. It was my plan to proceed to the place of my faithful Caterina's nativity, where she had assured me I might find a safe asylum in the cottage of her parents, from whom, as they had never seen me, I might conceal my birth. This place, she said, was entirely unknown to the marquis, who had hired her at Naples only a few months before, without any enquiries concerning her family. She had informed me that the village was many leagues distant from the castle, but that she was very well acquainted with the road. At the foot of the walls we left Nicolo, who returned to the castle to prevent suspicion, but with an intention to leave it at a less dangerous time, and repair to Farrini to his good Caterina. I parted from him with many thanks, and gave him a small diamond cross, which, for that purpose, I had taken from the jewels sent to me for wedding ornaments.',

After breakfast Johnny Blossom determined that he must walk twenty-four times back and forth on the veranda railing, the railing representing a rope stretched over Niagara Falls. Johnny walked with greatest care, his arms outstretched and his tongue in his cheek, to help him keep his balance.,

AN ODE,

The obscurity of the place prevented Hippolitus from distinguishing the features of the dying man. From the blood which covered him, and from the surrounding circumstances, he appeared to be murdered; and the count had no doubt that the men he beheld were the murderers. The horror of the scene entirely overcame him; he stood rooted to the spot, and saw the assassins rifle the pockets of the dying person, who, in a voice scarcely articulate, but which despair seemed to aid, supplicated for mercy. The ruffians answered him only with execrations, and continued their plunder. His groans and his sufferings served only to aggravate their cruelty. They were proceeding to take from him a miniature picture, which was fastened round his neck, and had been hitherto concealed in his bosom; when by a sudden effort he half raised himself from the ground, and attempted to save it from their hands. The effort availed him nothing; a blow from one of the villains laid the unfortunate man on the floor without motion. The horrid barbarity of the act seized the mind of Hippolitus so entirely, that, forgetful of his own situation, he groaned aloud, and started with an instantaneous design of avenging the deed. The noise he made alarmed the banditti, who looking whence it came, discovered the count through the casement. They instantly quitted their prize, and rushed towards the door of the room. He was now returned to a sense of his danger, and endeavoured to escape to the exterior part of the ruin; but terror bewildered his senses, and he mistook his way. Instead of regaining the arch-way, he perplexed himself with fruitless wanderings, and at length found himself only more deeply involved in the secret recesses of the pile.