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"You look like Marguerite. A very lovely Marguerite," says Geoffrey, idly, gazing at her rather dreamily.,

From morn to dewy eve, nothing is discussed in bower or boudoir but flounces, frills, and furbelows,—three f's that are considered at the Towers of far more vital importance than those other three of Mr. Parnell's forming. And Mona, having proved herself quite in good taste in the matter of her own gowns, and almost an artist where coloring is concerned, is appealed to by both girls on all occasions about such things as must be had in readiness "Against their brydale day, which is not long."—As, for instance:—,

"'Tis the English gintleman, miss,—Misther Rodney. He wants to see ye," says the fair Bridget, putting her head in at the doorway, and speaking in a hushed and subdued tone.,

To her there is nothing strange or new, either in the hour or the place. Often does she come here in the moonlight with her faithful attendant and her two dogs, to sit and dream away a long sweet hour brimful of purest joy, whilst drinking in the plaintive charm that Nature as a rule flings over her choicest paintings.

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"He has been married a whole fortnight and never deigned to tell his own mother of it until now," says Lady Rodney, hysterically.,

Soon the young woman came back and said to her husband, "It is a girl baby. You are to have another wife.",

"Yes; I mean to,—before I return to England.",

When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered.