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One o'clock chimes the tiny timepiece on the mantelshelf; outside the sound is repeated somewhere in the distance in graver, deeper tones.,

It is only the foolish warrior who travels in the day. The wise one knows that war-parties may be out, or that some camp watcher sitting on a hill may see him far off and may try to kill him. Mīka´pi was not one of these foolish persons. He was brave and cautious, and he had powerful helpers. Some have said that he was helped by the ghosts. When he started to war against the Snakes he travelled in low places, and at sunrise he climbed some hill near by and looked carefully over the country in all directions, and during all the long day he lay there and watched, sleeping often, but only for a short time.,

Mīka´pi was glad. Here had come to him one of the tribe he was seeking, yet he thought it better to wait for a time before fighting him; so when, in signs, the Snake asked Mīka´pi who he was he replied, by making the sign for paddling a canoe, that he was a River person, for he knew that the Snakes and the River people, or Pend d'Oreilles, were at peace. Then the two lay down for the night, but Mīka´pi did not sleep. Through the long night he watched for the first light, so that he might kill his enemy; and just at daybreak Mīka´pi, without noise, strung his bow, fitted an arrow to the string, and sent the thin shaft through his enemy's heart. The Snake half rose up and fell back dead. Mīka´pi scalped him, took his bow and arrows and his bundle of moccasins, and went out of the cave and looked all about. Daylight had come, but no one was in sight. Perhaps, like himself, the Snake had gone to war alone. Mīka´pi did not forget to be careful because he had been fortunate. He travelled only a little way, and then hid himself and waited for night before going on. After drinking from the river he ate and, climbing up on a high rock wall, he slept.,

Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it.

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Mona, sinking languidly into a chair, turns the note over and over between her fingers, whilst wondering in a disjointed fashion as to whom it can be from. She guesses vaguely at the writer of it, as people will when they know a touch of the hand and a single glance can solve the mystery.,

"I'll see about it. And, oh, Geoffrey, I do hope you will like me in it, and think me pretty," she says, anxiously, half fearful of this gown that is meant to transform a "beggar maid" into a queen fit for "King Cophetua." At least such is her reading of the part before her.,

"It is quite a romance," says Jack Rodney: "I never heard anything like it before off the stage." He is speaking to the room generally. "I doubt if any one but you, Mona, would have got the will out of him. He hates the rest of us like poison.",

When he reached the camp he went to the lodge of Broken Bow—a brave young man, but very poor.