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Croaker hopped to a lower branch and peered in after his master. Then, catching sight of a doughnut which had spilled from Billy's pocket, he fluttered down to the ground, and with many caressing croaks proceeded to make a meal of it.,

Maurice whistled. "Well I'll be jiggered!" he exclaimed. "I wish't I'd knowed that. Say, tell you what I'll do. I'll sneak up through the woods an' whistle Joe over here now.",

"Go on!" said Mr Lawrence fiercely. "What did she show you?",

"Can you explain, Captain Weaver," interrupted Miss Acton, whose irrelevancy was feminine, and whose question was based on her desire to hear something that she could understand, for the talk now as it ran was beyond her—"how it was that Miss Lucy Acton, who is one of the best known ladies who reside in these parts, should pass along the wharves and go on board the Minorca to be made a prisoner of and sailed away with, without anybody seeing her—without anybody being able to say that he saw a young female pass along? Even if he could describe her dress without knowing who she was, we should have been able to conclude that Mr Lawrence[Pg 230] had lured her on board: for we never could have supposed that she would have gone to him without his being guilty of some base stratagem to inveigle her."

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And so they parted with this understanding. And when their footsteps had died away, a small, dusty boy crawled out from under the penitent bench, slipped like a shadow to a window, opened it and dropped outside.,

Croaker shooked his head and hopped to the ground. He had grown tired of having Billy put that question to him. With many throaty and indignant mutterings he pigeontoed across the yard, not even deigning to glance back at the laughing man and boy.,

Anson nodded and set the dinner-pail down on the bridge.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.