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“White eyebrows child! What are you talkin’ about? Yer eyebrows are blacker nor that stove.”,

CHAPTER VI.—AN EVENING IN THE WOPP PARLOR.,

“There’s Mose allers ready fer a sitdown, a sort of kerlapsible verlise.”,

“Do you like it, Sunday School, I mean? I don’t. I like church, though,—the great booming organ, the beautiful singing. And when the minister speaks I just float away into fairy-land and never come back till he says, ‘The-Lord-make-his-face-to-shine-upon-us-amen.’”

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All was now ready for firing. “She” was to be run by oil. They took her out through the double doors, both swung wide for the first time in many weeks. It was all the boys could do to carry the heavy thing, though they went quite steadily across the vegetable garden, not without some damage to spring lettuce and summer corn, however; but on the steep, uneven slope below, the Fair Ellen came almost to grief.,

“Let us keep the wheat an’ roses,

On such visits Mrs. Wopp enjoyed herself hugely. Her volubility was overpowering; as Mrs. Mifsud had been known to remark, “Not even a comma was there to clutch at to make good ones escape.” The faster her needle flew the faster raced her tongue. In view of the impending visit Mrs. Mifsud had surreptitiously stuffed one ear with cotton batting so that in the event of an extremely sanguinary onslaught, so to speak, at least one rampart of defence could be instantaneously thrown up. Ebenezer Wopp unlike his wife was expecting nothing but an afternoon of self-effacement though prepared to secretly admire to the full Mrs. Wopp’s sprightly conversation.,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.