She had been fashioned to be his helpmate, as surely as if she had been made of the same bone. Nature was at one with God. Spirit and body both yearned for him. It was not position—power for herself that she craved. The marriage market—if that had been her desire: it had always been open to her. She had the gold that buys these things. Wealth, ambition: they had been offered to her—spread out temptingly before her eyes. They were always within her means, if ever she chose to purchase them. It was this man alone to whom she had ever felt drawn—this man of the people, with that suggestion about him of something primitive, untamed, causing her always in his presence that faint, compelling thrill of fear, who stirred her blood as none of the polished men of her own class had ever done. His kind, strong, ugly face: it moved beside her: its fearless, tender eyes now pleading, now commanding. The little room looked very cosy when Mary had made up the fire and lighted the lamp. She seated Joan in the worn horsehair easy-chair; out of which one had to be careful one did not slip on to the floor; and spread her handsome shawl over the back of the dilapidated sofa.!

Palace Yard, save for a statuesque policeman, was empty. “Did no other voice speak to you?” asked Joan.

Mud and dirt! Dirty faces, dirty hands, dirty clothes, dirty food, dirty beds; dirty interiors, from which there was never time to wash the mud; dirty linen hanging up to dry, beneath which dirty children played, while dirty women scolded. Filth and desolation all around. Shattered farmsteads half buried in the mud; shattered gardens trampled into mud. A weary land of foulness, breeding foulness; tangled wire the only harvest of the fields; mile after mile of gaping holes, filled with muddy water; stinking carcases of dead horses; birds of prey clinging to broken fences, flapping their great wings. “That’s all, my lad,” she said with a smile. “My love to you, and God speed you.” Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.