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He hung his head and braced himself to meet what was justly coming to him. She would despise him now, he knew. He felt a gentle touch on his arm, and raised his face slowly. The girl's red lips were smiling. He could scarcely believe his eyes.,

He paused to survey the rows of uplifted faces and let his words sink home. Then lifting a long hickory pointer from his desk, and holding it much as a conjuror might hold his wand, he gripped the edge of the desk with one bony hand and leaning forward, said:,

Maurice opened his mouth and protruded his stained and swollen tongue.,

"Why did Christ walk on the sea of Galilee?" repeated Mr. Keeler, folding his arms impressively and looking hard at Billy, who once more shot a side-long glance across the room. The blue eyes were wide open with wonder and astonishment now, that he could not answer so simple a question as that. Billy's mind worked with lightning speed. He would answer that question if it cost him his life. Promptly he stood up.

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Billy found Mrs. Keeler peeling onions in the cook-house and after some trouble made her understand what was wanted. While she was shedding her apron and hunting for her hat he went outside. Maurice's school-books and slate lay on the bench beneath the hop vine. Billy grinned as his eyes fell on them. He climbed to the top of the gate-post and searched the surrounding fields for his chum, locating him finally down near the ditch, a lonely and pathetic figure seated on a little knoll, methodically topping mangles with a sickle. His back was toward Billy and it took all the latter's self restraint to refrain from giving the rally call, but he remembered what he had promised Maurice's father. So he slid down from the post and picking up the slate, produced a stub of slate-pencil from a pocket and wrote a message in symbols. Then on the other side of the slate he duplicated the message, adding the necessary key to the code. This was the message that Billy wrote,

"Gosh! ain't I been trying," groaned Maurice. "My teeth won't keep still a'tall. Maybe I won't be one glad kid when we get out 'a here.",

"That's neither here ner there," she snapped. "He doesn't seem to care what harm he does. An' the hard part of it is," she burst out, "I can't take no pleasure in whalin' him same as I might if I was his real mother; I jest can't, that's all. He has a way of lookin' at me out'a them big, grey eyes of his'n—",

Amongst those who just then were standing upon the quay-side gazing with more or less of interest at the Minorca and the other vessels moored to the walls, was old Mr Greyquill, whose figure was immediately [Pg 107]conspicuous by reason of his long white hair and heavily white thatched eyebrows. And this day he wore a round velvet cap such as might have been suggested to him by a portrait by some old Flemish artist, and a velvet coat. He stood on the wharf a few paces behind some people who formed a little group, and peered at the Minorca with the sharp of his hand pressed against his brow seeking to determine the faces he saw on board. He was too far off to recognise the Admiral and Captain Acton, who now appeared, but the moment Mr Lawrence's head was visible above the bulwark-rail he knew him, and seemed to try to catch his eye, but Lawrence, who instantly perceived him, averted his gaze or turned his back, and after steadily staring for some moments under the shelter of his hand the old fellow shuffled off.