These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" CHAPTER I!

Owen sat there a minute staring at her. "Ah, you're beautiful, more beautiful than any one," he broke out, "but I'll be hanged if I can ever understand you! On Tuesday, at your father's, you were beautiful—as beautiful, just before I left, as you are at this instant. But the next day, when I went back, I found it had apparently meant nothing; and now, again, that you let me come here and you shine at me like an angel, it doesn't bring you an inch nearer to saying what I want you to say." He remained a moment longer in the same position; then he jerked himself up. "What I want you to say is that you like me—what I want you to say is that you pity me." He sprang up and came to her. "What I want you to say is that you'll save me!" Fleda scarcely heard his words; something new had suddenly come into her mind. "When you went to Waterbath after seeing me," she asked, "did you tell her all about that?"

CHAPTER XXII "Then where is he?" poor Fleda helplessly wailed. She caught herself up, however; she did her best to be brave and clear. Before Mrs. Gereth could reply, with due obviousness, that this was a question for her not to ask, but to answer, she found an air of assurance to say: "You simplify far too much. You always did and you always will. The tangle of life is much more intricate than you've ever, I think, felt it to be. You slash into it," cried Fleda finely, "with a great pair of shears, you nip at it as if you were one of the Fates! If Owen's at Waterbath he's there to wind everything up." The young couple were to be accompanied by Mrs. Brigstock, and with a prevision of how fiercely they would be watched Fleda became conscious, before the party arrived, of an amused, diplomatic pity for them. Almost as much as Mrs. Gereth's her taste was her life, but her life was somehow the larger for it. Besides, she had another care now: there was some one she wouldn't have liked to see humiliated even in the form of a young lady who would contribute to his never suspecting so much delicacy. When this young lady appeared Fleda tried, so far as the wish to efface herself allowed, to be mainly the person to take her about, show her the house, and cover up her ignorance. Owen's announcement had been that, as trains made it convenient, they would present themselves for luncheon and depart before dinner; but Mrs. Gereth, true to her system of glaring civility, proposed and obtained an extension, a dining and spending of the night. She made her young friend wonder against what rebellion of fact she was sacrificing in advance so profusely to form. Fleda was appalled, after the first hour, by the rash innocence with which Mona had accepted the responsibility of observation, and indeed by the large levity with which, sitting there like a bored tourist in fine scenery, she exercised it. She felt in her nerves the effect of such a manner on her companion's, and it was this that made her want to entice the girl away, give her some merciful warning or some jocular cue. Mona met intense looks, however, with eyes that might have been blue beads, the only ones she had—eyes into which Fleda thought it strange Owen Gereth should have to plunge for his fate and his mother for a confession of whether Poynton was a success. She made no remark that helped to supply this light; her impression at any rate had nothing in common with the feeling that, as the beauty of the place throbbed out like music, had caused Fleda Vetch to burst into tears. She was as content to say nothing as if, Mrs. Gereth afterwards exclaimed, she had been keeping her mouth shut in a railway-tunnel. Mrs. Gereth contrived at the end of an hour to convey to Fleda that it was plain she was brutally ignorant; but Fleda more subtly discovered that her ignorance was obscurely active.