They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it. “Why do you say ‘dish’ of tea!” asked Mrs. Phillips, as she lowered herself with evident satisfaction into the easy chair Joan placed for her.!

“Don’t you be put off by his seeming a bit unresponsive,” Mrs. Phillips would explain. “He’s shy with women. What I’m trying to do is to make him feel you are one of the family.” She laughed. “Yes,” she answered. “It ought to be grey to match your suit. And so ought your socks.”

At a corner where the trams and buses stopped she lingered for a while, watching the fierce struggle; the weak and aged being pushed back time after time, hardly seeming to even resent it, regarding it as in the natural order of things. It was so absurd, apart from the injustice, the brutality of it! The poor, fighting among themselves! She felt as once when watching a crowd of birds to whom she had thrown a handful of crumbs in winter time. As if they had not enemies enough: cats, weasels, rats, hawks, owls, the hunger and the cold. And added to all, they must needs make the struggle yet harder for one another: pecking at each other’s eyes, joining with one another to attack the fallen. These tired men, these weary women, pale-faced lads and girls, why did they not organize among themselves some system that would do away with this daily warfare of each against all. If only they could be got to grasp the fact that they were one family, bound together by suffering. Then, and not till then, would they be able to make their power felt? That would have to come first: the Esprit de Corps of the Poor. The other was a young priest. He wore the regulation Red Cross uniform, but kept his cassock hanging on a peg behind his bed. He had pretty frequent occasion to take it down. These small emergency hospitals, within range of the guns, were reserved for only dangerous cases: men whose wounds would not permit of their being carried further; and there never was much more than a sporting chance of saving them. They were always glad to find there was a priest among the staff. Often it was the first question they would ask on being lifted out of the ambulance. Even those who professed to no religion seemed comforted by the idea. He went by the title of “Monsieur le Prêtre:” Joan never learned his name. It was he who had laid out the little cemetery on the opposite side of the village street. It had once been an orchard, and some of the trees were still standing. In the centre, rising out of a pile of rockwork, he had placed a crucifix that had been found upon the roadside and had surrounded it with flowers. It formed the one bright spot of colour in the village; and at night time, when all other sounds were hushed, the iron wreaths upon its little crosses, swaying against one another in the wind, would make a low, clear, tinkling music. Joan would sometimes lie awake listening to it. In some way she could not explain it always brought the thought of children to her mind. “Poor old girl!” he added. “I believe she’d have been happier if I’d always remained plain Bob Phillips.”