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The ladies, having descended the ladder, Betty began hurriedly to show the remaining pictures. Visions of a sumptuous repast had flitted before the minds of her listeners and a spirit of restlessness pervaded the loft.,

It was a blessing that even her loyal soul must yield to nature’s balm of passing time; in wholesome companionship and the fragrant warmth of a country spring she somewhat forgot the grief that would otherwise have worn to death her frail little body.,

Betty was thoroughly engrossed in her subject. Her story was entirely of birds and flowers and fairies. True, the pictures did not realize in their movements the lightning-like rapidity of “really truly” moving pictures, but they moved as fast as the young eyes that followed them could wish.,

“Come here Betty, till I clean yer face. Where is that boy Moses? I know he had a hand in this. Drat him anyhow,” said the incensed Mrs. Wopp.

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In the midst of these reflections, the trombone player of the orchestra came to him.,

When Betty returned from school in the afternoon, she beheld snowy billowing apparel on the clothes-line. Mrs. Wopp, being very thrifty in the matter of using up flour and sugar sacks for underwear, had a motley collection of garments suspended by wooden pegs. A night-shirt of Mr. Wopp’s bore the inscription “Three Roses” dimly outlined in pink, while on the southern portion of a pair of more intimate garments could be discerned, fading into palest blue. “Great Western Mills.” The wind was causing a riotous time among the cheerful array of reconstructed sacks, and as Betty ran down the path singing “Twenty froggies went to school,” a sugar sack sleeve of Moses’ shirt embraced a flour sack bosom of his father’s undergarment; and “Pure Cane Sugar“ saluted “Ogiveme’s Mills.” Betty cheerfully performed her task of bringing in the clothes saturated with wind and sunshine. She thought the sweetest smell in the world next to morning-glories and nasturtiums was the smell of clean clothes fresh from the line.,

“Here come the Wopps,” said Nell to her companion as the family entered, led as usual by Mrs. Wopp. Mr. Wopp came next especially scoured for the occasion, freshly shaved and with long side hair carefully oiled and combed over the bald spot on his crown. He carried a few long strips of paper in his hand. Beside him walked Betty inwardly disapproving of the two stiff braids with which her head was adorned. Bringing up the rear was Moses, his face shining with soap and satisfaction and wearing a new brown suit at least two sizes too large for him. He was bent on a good time which in his case meant sitting on a side bench with a few other youths and jeering at the mistakes of the dancers. Close at his heels came Jethro who had pleaded so hard to be brought along and had gazed at them with such tragic appeal in his eyes that they could not disappoint him. He was now stationed under a bench, having first been intimidated with dire threats as to what would happen to him should he come out and trip up the dancers.,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.