“What was my mother doing in Paris?” asked Joan, He hesitated, keeping his eyes upon the ground.!

“It’s war,” he said. Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained.

“What are you doing now?” asked Joan, in a low tone. God. The tireless Spirit of eternal creation, the Spirit of Love. What else was it that out of formlessness had shaped the spheres, had planned the orbits of the suns. The law of gravity we named it. What was it but another name for Love, the yearning of like for like, the calling to one another of the stars. What else but Love had made the worlds, had gathered together the waters, had fashioned the dry land. The cohesion of elements, so we explained it. The clinging of like to like. The brotherhood of the atoms. She heard a quick step behind her, and turning, she saw a man with a latch key in his hand. He passed her and opened the door; and then, facing round, stood aside for her to enter. He was a sturdy, thick-set man with a strong, massive face. It would have been ugly but for the deep, flashing eyes. There was tenderness and humour in them.