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On the wall hung a gilt-framed portrait, which rumor said represented Ebenezer Wopp, a wreath of carefully made wax flowers, a silver coffin-plate framed and bearing the name and date of demise of Mr. Wopp’s mother, and two or three colored chromos.,

Job’s feathers that to Betty’s eyes had taken on the glory of ostrich plumes, drooped disconsolately, while Moses denounced in fluent language the stupidity of the fowl that had caused the unfortunate episode. He declared loudly that he would like to wring the aggressive portions of those feathered culprits. The group stood for a moment, a miniature Vesuvius erupting lava and ashes, while Moses wrung the offending liquid from Betty’s yellow drape and the magenta antimacassar. His sense of the ludicrous however overcame his wrath, “My Eye Betty!” he cried, “I near kerlapse every time I draw up my curtings on Job.”,

“No ‘chase’ to-day, girls. I’ve got business in town.”,

Howard sat back in his chair and thought of the possibilities of seeing Nell. He reflected that they were as good as engaged. Mrs. Wopp had given her diagnosis of the case enigmatically, perhaps, but with a degree of accuracy denoting keen observation on the evening of his last visit at the Wopp household. For fully a fraction of a minute Nell had let him hold her hand, and then her face all dimpling had turned to say good-night. He was rehearsing what he should say next time she dimpled so irresistibly and he breathed anathemas on his asinine conduct in being so shy and tardy. He was brought to the immediate present by Moses who was regarding an ice-cream soda with suspicion.

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“I always knew that house had something to do with me,” Billy declared to Mr. Smith. “The kids call it a wicked house, but it’s only the people living in it that’s wicked. It’s a splendid old place; and when I’m a man and have money enough, I’m going to buy it and fix it up fine, and give it a fair chance.”,

“Can’t stop. It’s private anyway.” He waved his hand, ran across the foot-bridge and down the road, dodged into the brush for his wheel; and in a moment they heard his shout as he sped by toward town.,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.,

“Stop Mar, lemme go, you are wrong,” gasped the little man whose efforts to escape from her clutches had grown more and more feeble. “Drat that man, anyhow, why carnt he say what he means?” answered the mortified lady. The jeers of the youths on the benches added to her discomforture. Nell began to wonder whether her mind and constitution were robust enough to allow her to engage in such festivities as these very often.