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Bob’s perch on the tower was far from comfortable, so he hoped the conference going on below him would last no great length of time. The thin iron rungs of the ladder cut into his legs and his arms had begun to ache from the strain of holding himself in place without making any noise that would give him away. To add to his discomfort, he soon realized that although he could overhear clearly every word that passed between the figures on the ground it would do him no good, as they were talking in Spanish, a language in which Bob remembered Jerry could at least make himself understood. Since his arrival at the dam, the Eastern boy had made some attempt to pick up a working knowledge of it, but his time had been so short that he had not got very far. Therefore, only a word here and there meant anything to him and as these were simple words, they gave no clue to what was being discussed.,

With one voice they denied the fact, and were resolute in persisting that they knew nothing of the person described. This denial confirmed Hippolitus in his former terrible surmise; that the dying cavalier, whom he had seen, was no other than Ferdinand, and he became furious. He bade the officers prosecute their search, who, leaving a guard over the banditti they had secured, followed him to the room where the late dreadful scene had been acted.,

Jerry used both his arms on the right hand oar and a moment later, breathless and a little exhausted, they came to quieter water.,

We sing round the tree.

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When the first emotion of the scene was passed, Julia enquired by what means Ferdinand had come to this spot. He answered her generally, and avoided for the present entering upon the affecting subject of the late events at the castle of Mazzini. Julia related the history of her adventures since she parted with her brother. In her narration, it appeared that Hippolitus, who was taken by the Duke de Luovo at the mouth of the cave, had afterwards escaped, and returned to the cavern in search of Julia. The low recess in the rock, through which Julia had passed, he perceived by the light of his flambeau. He penetrated to the cavern beyond, and from thence to the prison of the marchioness. No colour of language can paint the scene which followed; it is sufficient to say that the whole party agreed to quit the cell at the return of night. But this being a night on which it was known the marquis would visit the prison, they agreed to defer their departure till after his appearance, and thus elude the danger to be expected from an early discovery of the escape of the marchioness.,

Thus lovely, and thus veiled in obscurity, were the daughters of the noble Mazzini. But they were happy, for they knew not enough of the world seriously to regret the want of its enjoyments, though Julia would sometimes sigh for the airy image which her fancies painted, and a painful curiosity would arise concerning the busy scenes from which she was excluded. A return to her customary amusements, however, would chase the ideal image from her mind, and restore her usual happy complacency. Books, music, and painting, divided the hours of her leisure, and many beautiful summer-evenings were spent in the pavilion, where the refined conversation of madame, the poetry of Tasso, the lute of Julia, and the friendship of Emilia, combined to form a species of happiness, such as elevated and highly susceptible minds are alone capable of receiving or communicating. Madame understood and practised all the graces of conversation, and her young pupils perceived its value, and caught the spirit of its character.,

May live to repent it at leisure,

Next he went to the little crippled boy who had such big, mournful eyes.