She reached home in the evening. The Phillips’s old rooms had been twice let since Christmas, but were now again empty. The McKean with his silent ways and his everlasting pipe had gone to America to superintend the production of one of his plays. The house gave her the feeling of being haunted. She had her dinner brought up to her and prepared for a long evening’s work; but found herself unable to think—except on the one subject that she wanted to put off thinking about. To her relief the last post brought her a letter from Arthur. He had been called to Lisbon to look after a contract, and would be away for a fortnight. Her father was not as well as he had been. “I know,” whispered Joan. “I’ve been there, too. I knew you were doing it, though I didn’t quite know how—till the other day. I wouldn’t think. I wanted to pretend that I didn’t. I know all you can say. I’ve been listening to it. It was right of you to want to give it all up to me for his sake. But it would be wrong of me to take it. I don’t quite see why. I can’t explain it. But I mustn’t. So you see it would be no good.”!

“I felt it just the same when young Mr. McKean left us,” she explained with apologies. “He had been with us five years. He was like you, miss, so unpracticable. I’d got used to looking after him.” The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.

She slipped the letter unconsciously into the bosom of her dress, and sat looking out of the window. It promised to be a glorious day, and London was stifling and gritty. Surely no one but an unwholesome-minded prude could jib at a walk across a park. Mrs. Phillips would be delighted to hear that she had gone. For the matter of that, she would tell her—when next they met. “Yes,” he answered. “All those who have no use for them. About one per cent. of the population. To listen to Miss Tolley you would think that half the women wanted a new husband every ten years. It’s always the one per cent. that get themselves talked about. The other ninety-nine are too busy.” It would all fall out as she had intended. She would commence by becoming a power in journalism. She was reconciled now to the photograph idea—was even keen on it herself. She would be taken full face so that she would be looking straight into the eyes of her readers as she talked to them. It would compel her to be herself; just a hopeful, loving woman: a little better educated than the majority, having had greater opportunity: a little further seeing, maybe, having had more leisure for thought: but otherwise, no whit superior to any other young, eager woman of the people. This absurd journalistic pose of omniscience, of infallibility—this non-existent garment of supreme wisdom that, like the King’s clothes in the fairy story, was donned to hide his nakedness by every strutting nonentity of Fleet Street! She would have no use for it. It should be a friend, a comrade, a fellow-servant of the great Master, taking counsel with them, asking their help. Government by the people for the people! It must be made real. These silent, thoughtful-looking workers, hurrying homewards through the darkening streets; these patient, shrewd-planning housewives casting their shadows on the drawn-down blinds: it was they who should be shaping the world, not the journalists to whom all life was but so much “copy.” This monstrous conspiracy, once of the Sword, of the Church, now of the Press, that put all Government into the hands of a few stuffy old gentlemen, politicians, leader writers, without sympathy or understanding: it was time that it was swept away. She would raise a new standard. It should be, not “Listen to me, oh ye dumb,” but, “Speak to me. Tell me your hidden hopes, your fears, your dreams. Tell me your experience, your thoughts born of knowledge, of suffering.”