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The old lodges of the Piegans were made of buffalo skin and were painted with pictures of different kinds—birds, or animals, or trees, or mountains. It is believed that in most cases the first painter of any lodge was taught how he should paint it in a dream, but this was not always the case.,

In the afternoon, as they watched for their returning husband, they saw him come over the hill loaded down with meat that he had killed. When he threw down his load outside the lodge, they hurried to cook something for him. After he had eaten he went up on the butte and sat down on the skull. The slender sticks broke and he fell into the hole. His wives were watching him, and when they saw him disappear, they took down the lodge and packed their dogs and set out to go to the main camp. As they drew near it, so that people could hear them, they began to cry and mourn.,

In those days there were buffalo, and these black animals were armed, for they had long horns. Once, as the people were moving about, the buffalo saw them and rushed upon them and hooked them and killed them, and then ate them. One day, as the creator was travelling about, he came upon some of his children that he had made lying there dead, torn to pieces and partly eaten by the buffalo. When he saw this, he felt badly. He said, "I have not made these people right. I will change this; from now on the people shall eat the buffalo.",

"Oh, yes, you may go," says Mona. Geoffrey says nothing. He is looking at her with curiosity, in which deep love is mingled. She is so utterly unlike all other women he has ever met, with their petty affectations and mock modesties, their would-be hesitations and their final yieldings. She has no idea she is doing anything that all the world of women might not do, and can see no reason why she should distrust her friend just because he is a man.

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Paul, dropping on his knees before her, releases her gown; the fold is in his grasp, and still holding it he looks up at her, his face pale and almost haggard.,

The moments come and go. The fire is dying out. No sound but that of the falling cinders comes to disturb the stillness that reigns within the library. Mona is vaguely, wondering what the end of it all will be. And then at last the silence is broken. A noise upon the gravel outside, a quick rush up the balcony steps; some one emerges from the gloom of the night, and comes into the room through the open window. Mona utters a passionate cry of relief and joy. It is Geoffrey!,

The young man answered, "I am mourning for my wife. She died some time ago. I am looking for her.",

Mona is sitting in the morning-room, the faithful and ever lively Nolly at her side. According to his lights, she is "worth a ship-load of the whole lot," and as such he haunts her. But to-day she fails him. She is absent, depressed, weighed down with thought,—anything but congenial. She forgets to smile in the right place, says, "Yes" when courtesy requires "No," and is deaf to his gayest sallies.